Jazz Police       Click to save on Hotels Hotels Cars Cars Cruises Cruises
JP
"What do music do? It keeps the world turning. If there wasn't no music, this world would be a sad place to live." - John Lee Hooker
 
Support our live jazz coverage. Visit our sponsors. If you plan to shop amazon.com or download iTunes, click through here:
Apple iTunes
Advertisement

Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |

Main Menu
Home
CD Reviews
Interviews
SF Bay Area
Chicago
Los Angeles
New York
Twin Cities, MN
More Cities
Festivals
FAQ
News
Contact
Video of the Week
Visitors: 15093282
Lew Tabackin "Spirits of New York" at Birdland with Tom Harrel Print E-mail
Written by Don Berryman   
Sunday, 28 August 2005
Birdland will present a treat for lovers of imaginative jazz when Lew Tabackin, one of the great tenors and jazz flautists of our time, will perform with the lyrical genius of the trumpet, Tom Harrel. This dynamic dou is joined by bassit Ray Drummond and Victor Lewis on drums to complete the aptly named "Spirits of New York". at Birdland on August 31st through September 3 with sets at 9 and 11. Those who are only familiar with Lew through his work with the Toshiko Akiyoshi Jazz Orchestra should check out this gig o hear him really stretch out.
Photo by Howard A. Gitelson
Photo by Howard A. Gitelson

One is tempted to make comparisons, Tabackin has a big aggressive sound on tenor reminiscent of Sonny Rollings or even the Hawk, and the influence of Coltrane is strong (as is must be for anyone on tenor who came after him). But after many years of listening I must conclude that Lew Tabackin sounds like Lew Tabackin, and that is pretty damn good. He is an innovator who has built upon the foundation of jazz tradition fully integrating the vocabulary of jazz choosing to learn from history rather than repeat it. Lew has developed a unique voice and added it to that of the other great innovators who have gone before him. Tabackin makes beautifully intricate and unabashedly bold music.

On flute Tabackin stands alone as a pioneer in the fusion of Asian melody and jazz. Unlike the aggressive, in-your-face New York sound on tenor Lew's flute playing evokes exotic, subtle beauty and is simultaneously airy and earthy. He has constantly placed near the top for jazz flute on critics readers polls for decades.

Photo by Howard A. Gitelson
Photo by Howard A. Gitelson
Tom Harrell is a lyrical player and compser with a genius IQ, who also suffers from paranoid schizophrenia. He has been selected as trumpet player of the year by Donwbeat magazine three times. Harrel notes: "Life is so intriguing because there is constant change. There's a certain shading for every moment. That's what we do when we play. We express our feelings through the textures and colors of the sensual material world and then transcend that into the spiritual realm."

Lew Tabackin's interest in music began in his birthplace, Philadelphia, where he first studied flute and then tenor saxophone in high school. He majored in flute at the Philadelphia Conservatory of Music.

After his U.S. Army service (1962-65), Mr. Tabackin moved to New Jersey and then to New York, where he played first with Tal Farlow and Don Friedman and later in the big bands led by Cab Calloway, Les and Larry Elgart, Maynard Ferguson, Joe Henderson, Chuck Israels, Thad Jones and Mel Lewis, Clark Terry, and Duke Pearson. During the late 1960's, Mr. Tabackin led a trio at a club called La Boheme in Philadelphia, in addition to playing in smaller groups with Donald Byrd, Roland Hanna, Elvin Jones, and Attila Zoller. In those early years he worked with Doc Severinsen and the studio band for Dick Cavett's television show. He also spent some time in Europe, where he was a soloist with various orchestras, including the Danish Radio Orchestra and the Hamburg Jazz Workshop.

Image
Photo by Don Berryman
In 1968 he met Toshiko Akiyoshi when the two played together in a quartet. They eventually married and moved to Los Angeles, where they formed the award-winning big band known as the Toshiko Akiyoshi Jazz Orchestra.

While in Los Angeles, Mr. Tabackin also played with Shelley Manne and with various trios of his own with Billy Higgins, John Heard, and Charlie Haden. He also toured Japan frequently with Ms. Akiyoshi and her orchestra as well as with his own trio, which included drummer Joey Baron and bassist Michael Moore.

During the 1980's he began to get some long overdue recognition as a flutist, winning many Down Beat critic's and reader's polls. In 1982 Mr. Tabackin and Ms. Akiyoshi moved to New York, which brought him back to the Manhattan jazz scene. Since then he has solidified his position as a major tenor saxophone and flute artist. In 1990 Mr. Tabackin released his first disc for Concord, Desert Lady, featuring Hank Jones, Dave Holland, and Victor Lewis, followed by the acclaimed I'll Be Seeing You with Benny Green, Peter Washington, and Lewis Nash. In 1994 the same group recorded What a Little Moonlight Can Do. Mr. Tabackin has also been associated with several all-star bands, including George Wein's Newport All-Star Band, the New York Jazz Giants, and the Carnegie Hall Jazz Band.

LEW TABACKIN'S "SPIRITS OF NEW YORK"
LEW TABACKIN (tenor sax/flute) TOM HARRELL (trumpet)
VICTOR LEWIS (drums) RAY DRUMMOND (bass)
Wednesday, August 31 through Saturday, September 3 - show times 9&11pm
Music Charge: $30 Birdland is located at 315 West 44th street between 8th and 9th avenues in Manhattan. Call (212) 581-3080 for reservations and information.

 
 Friday, 05 December 2008
BOOK TRAVEL WITH JAZZ POLICE AND SAVE! Search for deals here.
City Arrival Date Nights Adults Rooms
Today's top ten jazz downloads
JP Archive
Add Jazz Police button to your google toolbar
Latest News





Lost Password?
No account yet? Register
 
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |
All material protected by copyright. © 2007 Jazz Police and contributing writers & visual artists. All rights reserved. Material may not be reprinted or redistributed without permission of the contributing writers & visual artists.
Jazz Police makes no warranty, expressed or implied as to the accuracy, completeness or utility of information provided. All information is subject to change without notice.