Master bassist
Eddie Gomez knows piano talent when he hears it. A compatriot of the
likes of Bill Evans and Chick Corea, Gomez has assembled a cast of
keyboard lions for a magical weekend at the Iridium in Manhattan,
July 15-17. With pianist Mark Kramer, Gomez will introduce audiences
to “new generation” Twinz recording artists, Werner “Vana”
Gierig, Fernando Otero, and Andy Ezrin. Each
pianist will perform one of the three sets on Friday and Saturday,
with surprise sets on Sunday.
Eddie
Gomez. A native of Santurce, Puerto Rico, Eddie Gomez moved
to New York as a young child. His musical talents emerged early as he
took up the double bass at age eleven. At New York City’s High
School of Music and Art, he furthered his studies and performed with
professional dance bands as well as the Newport Youth Band led by
Marshall Brown. By age 18, Gomez’ resumé already included
gigs with Benny Goodman, Buck Clayton, Marian McPartland, and Paul
Bley. Although he pursued classical bass studies at Julliard, Gomez’s
first love was jazz, and he joined Gerry Mulligan’s band. Playing
with Mulligan at the Village Vanguard in 1966, Gomez caught the
attention of Bill Evans, and at age 21, he became a formidable part
of the Bill Evans Trio. Noted Time Magazine of this
association, "Eddie Gomez has the world on his strings." During
his eleven years with Evans, Gomez contributed significantly to the
evolution of the trio, which toured and recorded prolifically,
winning two Grammy awards. But Gomez was not solely tied to
Evans, as he performed in the late 60s with his other idol, Miles
Davis, along with the quintet featuring Wayne Shorter, Herbie
Hancock, and Tony Williams.
Eddie Gomez left
Evans in 1977, subsequently performing with Dizzy Gillespie, Freddie
Hubbard, George Benson, McCoy Tyner, Chick Corea, Hank Jones, Nancy
Wilson, Tania María, and Ray Barreto, among others. He
continued to appear as a guest classical artist as well, and
performed and/or recorded with such pop artists as Bobby Darin, Carly
Simon, and Art Garfunkel. Today Gomez performs worldwide and composes
for his own projects as well as for film; he also teaches master
classes throughout the United States and Europe. With pianist Mark
Kramer, Eddie Gomez recently recorded the highly acclaimed
"Jazz Fiddler on the Roof" for the TWINZ label.
Fiddler composer Jerry Bock noted that "From
Prelude to Postscript it was an ongoing revelation of invention,
emotional insight and musicianship beyond measure."
The
Pianists
Werner “Vana” Gierig. "Imagine
recombining the musical DNA of Herbie, Keith, and Chick with a samba
band and you’ve got a notion of what piano phenom Werner “Vana”
Gierig's latest CD is like…an abundance of fresh compositional
brainstorms for revitalizing the piano trio. No moment is rote;
and even the brash experiments are elegant.” (Keyboard
Magazine). Growing up in Germany where he studied both jazz and
classical piano, Gierig came to the U.S. to study at Berklee College
of Music and went on to receive a Master’s Degree from the New
England Conservatory of Music. Since receiving the Boston Music
Society Award for Outstanding Achievements in Jazz in 1986, Gierig
has performed and recorded to considerable acclaim worldwide,
although he remains largely unknown in the U.S. outside New York His
credits include work with Rachelle Ferrell, Lena Horne, George
Howard, Special EFX, Najee, Warren Hill, Will Downing, and Angela
Bofill; he is a long-standing member of Regina Carter’s Quintet,
serving as co-producer, artistic musical director, pianist and
composer on her recording, Paganini’s Dream. Gierig has
received numerous prestigious composition and performance awards,
most recently winning the National Performance Activity Award
from SESAC, the performing rights organization. His recent
chart-topping recording, the critically acclaimed A New Day
(Twinz), integrates a classic jazz trio with Brazilian percussion.
Fernando
Otero. A native of Buenos Aires, Fernando Otero was
surrounded by a family of musicians. His mother, Elsa Marval, was a
renowned opera singer/pianist who gave young Fernando his first voice
and piano lessons. Studying harmony and composition throughout his
childhood, Otero absorbed the diverse musical styles of the
traditional tango, folklore, classical music, and jazz. These
influences are evident in Otero’s unique approach to composition,
melding the traditional and classical, folk rhythms and jazz
elements. His recent recording for Twinz, Plan, has been
acclaimed as his strongest to date. Wrote Phil Freeman for Jazziz,
“Otero's a seriously talented pianist, and his orchestrations are
equal parts Bernard Herrmann and Charlie Parker. That is, they
alternate between jagged suspenseful crescendos and long, sinuous
melodies. This music bounds out of the speakers and leaps into every
corner of the room at once, exhilarating but also bewildering -- it's
not tango, jazz, or classical, but some brand-new combination of all
three.”
Andy
Ezrin. While studying classical piano, at age 12 Andy Ezrin
discovered jazz in his father’s record collection at age 12, and
soon was improvising on his own. After completing jazz studies at the
University of Miami, Ezrin was a finalist in the Great American Jazz
Piano Competition at the Jacksonville Jazz Festival. He then toured
internationally with the Grammy award-winning vocal jazz group, New
York Voices, and appears on four of their recordings. Living in New
York City since 1992, Ezrin has been busy performing and composing,
recording with Randy Brecker, Michael Brecker, Dr. John, Ron Carter,
Lewis Nash, and Eddie Gomez; he’s also worked with pop artists Joe
Jackson and Rickee Lee Jones. Ezrin will soon release release a jazz
organ trio recording entitled Zoom (Twinz) featuring Marcello
Pelliteri on drums and Jean-Baptiste Bocle on vibes, along with Bill
Stewart, Larry Grenadier, and Lewis Nash. Noted Bill Meredith, “From
an arrangement standpoint, Andy capitalizes on the open canvas of
swinging grooves, laid down by the finest of New York's jazz elite.
What is skillfully brushed onto these canvases are Andy's lyrical
melodies, his ever-shifting harmonies, always with an infusion of
soulfulness.”
Weekend
Sets
Friday, July 15:
-
Set 1 (8 pm).
Werner "Vana" Gierig (p), Chris Lightcap (b), Gene Jackson (d), Adriano
Santos (Brazilian Percussion)
-
Set 2 (10
pm). Fernando Otero (p), John di Cesare (b), Wolfgang Koessler (cello)
and Will Vinson (sax)
-
Set 3 (11:30
pm). Andy Ezrin (p), Ben Wittman (d), Paul Nowinski (b)
Saturday,
July 16:
-
Set 1 (8 pm).
Fernando Otero (same line-up as above)
-
Set 2 (10
pm). Werner "Vana" Gierig (same line-up as above)
-
Set 3 (11:30
pm). Andy Ezrin (same line-up as above)
Sunday,
July 17:
-
Set 1 (8 pm).
Andy Ezrin, surprise set
-
Set 2 (10
pm). Werner "Vana" Gierig, surprise set
For more
information, visit
www.iridiumjazzclub.com
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