 Photo by Andrea Canter Note: This is another article
profiling artists on the roster of the 2005 Twin Cities Hot Summer
Jazz Festival. Here we consider the pianists.
While pianists are not featured as
prominently as last year, the 2005 Hot Summer Jazz Festival in the
Twin Cities (June 12-26) nevertheless will boast some hot masters of
the keyboard. The Italian ambassador Giacomo Aula and
New York’s walking jazz encyclopedia Jon Weber both
return, while another New York sensation Bruce Barth
will be on stage at the Dakota with the Terrell Stafford Quartet;
meanwhile, local pianists will be on hand in support of vocalists and
other instrumentalists. But the most anticipated of piano gigs during
the festival is certainly the Orchestra Hall performance of Chick
Corea with his Latin band, Touchstone, and in tandem with our
explosive Cuban transplant, Nachito Herrera.
Giacomo Aula and Doug Little
(Dakota, June 17-18, 8 pm). One of the treats of the 2004
festival was the Twin Cities debut of Italian keyboard wizard Giacomo
Aula. Aula performed at the Dakota with the Doug Little Quartet, with
whom he enjoyed a brief tour of the Midwest; he also hit the Peavy
Plaza stage and dazzled his Minnesota audience. Returning this year,
Aula will again be on stage at the Dakota with local saxophone star
Doug Little.
Armando Anthony “Chick” Corea
(Orchestra Hall, June 21, 7:30 pm) has enjoyed a fairy-tale
career for over four decades. His home was filled with jazz—the
music of Charlie Parker, Dizzy Gillespie, Bud Powell, Lester Young
and Horace Silver, as well as the inspirational music of Mozart and
Beethoven. Cutting his teeth with Blue Mitchell in the mid-60s, he
also fell under the Latin influences of Mongo Santamaria and Herbie
Mann. After a year with Sarah Vaughn, Corea hit the mother lode
playing electric piano on Miles Davis’ Bitches Brew and In
a Silent Way recordings, leading to his famous and highly
influential band, Return to Forever. From the mid 80s, Corea found
success on acoustic piano as well as synthesizer, in solo, duo, quintet,
“Origin” and “Elektric Band” formats. Among his best known
compositions is “Spain,” and with his new ensemble Touchstone,
Corea returns to explorations of flamenco. With a core made up of
members of Paco de Lucia’s band, Touchstone includes Carles
Benavent (bass), Jorge Pardo (sax/flute), Rubem Dantas (percussion),
and Tom Brechtlein (drums).
 Photo by Andrea Canter Joining Corea
–separately and in duo—will be special guest Nachito
Herrera. A child prodigy who studied classical music in
Havana, Herrera went on to serve as music director for several bands
before leading Cubanissmo! His travels to the US caught the eye of
potential sponsors, including the Dakota’s Lowell Pickett, and with
some wrangling with state department redtape, this amazing musician
found himself in Minnesota. After his inaugural band Puro Cubano
recorded Live at the Dakota, Herrera developed another great
ensemble featuring Cuban musicians (The Cuban All-Stars),
and together this ensemble released Bembe en mi Casa this past
winter. Noted Michael Dumbrow (Urban Pioneer), “His hands
move at a blinding pace over the keys, trilling not only with his
dominant hand but with both, turning the piano keys into an extension
of his very self.” The Orchestra Hall performance will be a rare
opportunity to see and hear this keyboard monster outside of his
usual Cuban band context. Where classical structures merge with
native Cuban rhythms, where dexterity and fluidity merge with passion
and joy, this is the intersection that is home to Nachito Herrera.
(Tickets are available at www.minnesotaorchestra.org.)
 Photo by Andrea Canter Jon
Weber (June 22, Hilde Performance Center, Plymouth,
5:30-8:00 pm; June 23-25, late night jam at the Millenium Hotel
Stage, 10:45 pm -12:45 am). Jon Weber is no stranger to the Hot
Summer Jazz Festival—in fact he is unofficially the house pianist
at the Millennium Hotel every June and last summer brought his
incendiary quintet to the Peavy Plaza stage. As
a toddler in Milwaukee playing a toy organ, it was soon apparent that
Weber had both perfect pitch and memory; by age 6 he had memorized
2,000 songs from his grandmother’s old piano rolls. Says his
mother: "When he wasn't riding his bike, solving math problems,
or memorizing things, he was in the breezeway replaying Dr. Suess and
Bugs Bunny records…He'd invent a different arrangement each time he
played a tune, improvising, quoting, shuffling the deck. It was
always like a game for him." A self-taught musician, Weber took
off two years from piano during his teens to develop counterpoint in
his left hand by playing guitar. Returning to the piano, Weber and
his quintet opened for Pat Metheny, Buddy Rich, Freddie Hubbard, and
Stanley Turrentine at major summer jazz festivals. Moving to Chicago
in 1987, his career has since sent him around the world and into the
recording studio.
In
addition to his remarkable chops, Jon Weber is well known for his
incredible music knowledge. He has been profiled by CNBC, Black
Entertainment TV, Bravo/Arts, National Public Radio, and Voice of
America. After wowing audiences as a guest on Marian
McPartland's Piano Jazz,
Warner Brothers commissioned Weber to transcribe "Portraits,"
a book containing 23 of McPartland’s improvised piano solo
compositions. His most recent release “Simple/Complex” (Second
Century Jazz, 2004) has received rave reviews, including comments
from the Australian Age: "The tunes are mind-bendingly
complex with overlapping time signatures, accent shifts, and rhythmic
feels that swerve from Cuban montunos to Indian tabla patterns to
straight-ahead jazz at the blink of an eye.”
Suburban jazz
fans will get a chance to sample Weber’s many talents when he
appears at the Hilde Performing Arts Center Ampitheater in Plymouth
(June 22). In the heart of festival, see Weber and special guests
each night for a late set, Thursday-Saturday (June 23-25 at 10:45 pm)
in the lounge of the Millennium Hotel (no charge).
.jpg) Photo by Andrea Canter Bruce
Barth with the Terrell Stafford Quintet (Dakota, June
13-15, 7 and 9 pm).Now in his mid-40s, pianist Bruce Barth was a
young lion who continues to roar. A California native who moved to
New York in his teens, Barth studied privately with Norman Simmons,
Jaki Byard, and Fred Hersch at the New England Conservatory of Music
in Boston in the early 1980s, and made his first recording, The
African Game, with composer George Russell in 1983. Back in
the New York area in the late 1980s, Barth worked with Nat Adderley,
Stanley Turrentine, and Terrence Blanchard, recording his first CDs
as a leader—In Focus and Morning Call (Enja); both were
selected by the New York Times for their Top Ten lists. In
addition to his numerous recording and performance duties, Barth has
produced many of the Vocal Series releases for MaxJazz. Said Terence
Blanchard, “Bruce is a great musician, a force to be reckoned with.
He has a wide range of abilities—he can be very percussive and
energetic or play with the subtleties of a Hank Jones or Herbie
Hancock.” At the Dakota, the Terrell Stafford Quintet will be
recording live for MaxJazz. Trumpeter Stafford brought this group
into the Dakota to close the festival last year—now this hot
ensemble will help jump start the festivities.
More
Pianists!’
There’s no
dearth of talent in the Twin Cities and there are many more
outstanding keyboard players to hear during the festival:
Peterson
Family matriarch Jeanne Arland Peterson is still going
strong at 80-something, and will provide the piano when the Peterson
Family takes the stage on Peavy Plaza on Thursday (June 23, 6-7 pm).
Chris
Lomheim, one of the area’s most lyrical interpreters as
well as a premier foil for vocalists, will appear at the Dakota with Patty Peterson (June 24-25).  Photo by Andrea Canter Peter
Schimke, another favorite of area vocalists, will likely be
at the keyboard in support of sax queen Kathy Jensen and vocal
sensation Bruce Henry, back to back on Peavy Plazy on Sunday, June
26th (2 pm and 4:30 pm, respectively). The always engaging
Laura Caviani will appear with Lucia Newell and
Departure Point at Mears Park (June 18th, 1:30 pm). And
one of the last but hardly least performers, Lori Dokken
will provide the keyboard and commentary with The Girls, on the RBC
Dain Rauscher Stage on Sunday (June 26) at 3:15 pm.
Young Tanner
Taylor may vie with Jon Weber for the title of Festival House
Pianist after he appears with Dave Karr’s Mulligan Stew at the
Wayzata Depot (June 15, 7 pm) and on the RBC Dain Rauscher Stage on
Nicollet Mall (June 25, 1:45 -3 pm); his trio performs lunch
hour concerts (June 20-23, 11:30 am- 1 pm) and “Jazz
Night Out” (June 23, 8:30 pm-12:30 am), all at Copeland's downtown. Taylor
also takes his familiar role supporting vocalists when he handles the
keys for the Midwest Chapter of the Jazz Vocal Coalition, at the
Millennium Hotel on Sunday, June 26th, noon to 3:45 pm
(with Lucia Newell, Rhonda Laurie, Connie Dussi, Lila Ammons, Sue
Tucker, and Vicky Mountain). Veteran Rick Carlson
takes over the piano at the Millennium for the remainder of the Vocal
Coalition showecase, featuring Katie Gearty, Christine Rosholt,
Maude Hixon, Connie Olson, Arne Fogel, and a jam with Bruce Henry (4-
8 pm).
 Photo by Andrea Canter Global
influences abound at the Hot Summer Jazz Festival, including a return
appearance by Shahin Novrasli (Peavy Plaza, Friday,
June 24, 2:30 pm). The native of Azerbaijan wowed audiences last year
with his merger of abstraction, melody, harmony and passion.
And just a
reminder that the Hot Summer Jazz Festival has many opportunities for
student musicians—catch the teen group The Eggz in their third
festival appearance, with Dakota Foundation/Schubert Club Jazz Piano
Scholarship winner Micah Fitch, on stage at the
Millennium Hotel on Friday, June 24 (6:00-7:30 pm).
The jazz
original himself, Butch Thompson opens Sunday (June 26)
on Peavy Plaza (12:45-1:45), and hosts a MacPhail music stage clinic
immediately after. Later that afternoon, catch jazz/blues sensationMichael “Hook”
Deutsch—regularly seen at the Malt Shop a short step away
on the Millennium Hotel stage at 2:30 pm.
It is a given
that there will be even more pianists on hand when the Hot Summer
Jazz Festival gets underway. Whether your tastes are more
traditional, Latin, bop, or outside, whether you prefer your piano in
a large ensemble or trio or just backing a vocalist, the festival
will have something for everyone, on every stage, every day.
For a full
schedule and more information, visit www.hotsummerjazz.com.
For information and reservations regarding performances at the
Dakota, visit www.dakotacooks.com.
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