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Superior Music: The Grand Marais Jazz Festival, April 28–May 1 Print E-mail
Written by Andrea Canter, Contributing Editor   
Wednesday, 20 April 2005
ImageSpring comes late to Minnesota’s Arrowhead but it won’t be ice jamming the northern shores of Lake Superior when the annual Grand Marais Jazz Festival gets underway next weekend (April 28-May 1). With internationally acclaimed vocalist Karrin Allyson headlining three days of an eclectic mix, from the Great American Songbook to straight-ahead ensembles, from smooth jazz to big band and hot club swing, with a potluck, swing dance, jazz brunch, and clinician-led workshops, it’s a weekend full of choices and great music in one of the most scenic areas of the upper Midwest. You might need a sturdy jacket in the evenings but there will be plenty of hot vibes, day and night.


Presented by the North Shore Music Association and WTIP North Shore Radio, the festival home is this charming harbor community along the Superior Hiking Trail. Grand Marais provides a perfect setting for an early spring festival, scheduled between the summer season of fishing, camping, hiking and kayaking, and the winter cross country and snow shoe season. Grand Marais is about 2 hours north of Duluth—which makes a great stopping point for a few hours enroute north from the Twin Cities. This is a great opportunity to catch a national sensation (Allyson) as well as some of the best artists from the Twin Cities and the upper Midwest away from the context of an urban club.

The first full day of festival activities starts with “Jazz in the Schools” with master marimbist Kevin Lucas; Lucas also performs during the Jazz Buffet at Naviya's Thai Restaurant (5-7 pm). Other early evening activities include Briand Morrison at the Betsy Bowen Studio (5 - 7 p.m.).

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Photo by Andrea Canter
Bruce Henry Quintet (Arrowhead Center for the Arts, 7:30-10 pm; tickets $20 & $25). Bruce Henry “possesses a three and one-half octave range, a pure voice with versatility and depth that few can match” (CD Baby). Studying at the Chicago Conservatory of Music, Mississippi native Henry was inspired by the music of Nina Simone, Al Jarreau, and John Coltrane. Absorbing eclectic styles of vocals and composition while touring the world, Henry has garnered a large following in France and the Far East, and has been heard live on the BBC as well as on movie soundtracks. Now living in Minneapolis, he maintains a nonstop schedule of performing, recording, and teaching, through which he emphasizes the roots of jazz in African music. His most recent recording is Connections (2003, Bahlove Productions). Says noted educator and historian Mahmoud El-Kati, "At the bottom, the real genius of Bruce Henry's music is his gift for marrying life experiences to musical ideas." Backing Henry will be the premiere rhythm section of pianist Peter Schimke, bassist Jay Young, drummer Kevin Washington, and percussionist Daryl Boudraux. This will be a magical evening!

Opening for Bruce Henry will be an ensemble that is far more than an opening act, the Reuben Ristrom Trio with Keane Sense of Rhythm. Guitarist Reuben Ristrom, along with Dick Bortolussi (drums) and Bob Guck (bass) are popular Twin Cities musicians. With 40 years in the music business, Twin Cities’ native/U of M graduate Ristrom is well known for his studio work and stage, club, concert, and festival appearances throughout the continental US and Hawaii. Often in the company of top local and national artists, his eclectic chops include Dixieland, mainstream jazz, swing, standards, Latin, and even some vintage rock 'n' roll. In addition to his ensemble work, Ristrom can be heard on solo guitar or banjo gigs. A new association with Keane Sense of Rhythm (founded by sisters Ellen Keane and Cathy Wind) merges this jazz trio with tap dance. Deeply rooted in jazz as well as other genres, KSR’s repertoire includes original and well-established choreography. Shawn Glidden completes this energetic ensemble, which will join forces with the Reuben Ristrom Trio for a high-flying (tappin’!) kick-off for Friday night.

The Dan Kusz Band (The Howl'N Wolf Saloon & Grill) will be on stage following Bruce Henry. Young (21!) saxophonist Kusz—nicknamed “Little Koz” after smooth sax legend Dave Koz—plays tenor, alto, and soprano saxophones. With his bandmates on drums, bass, guitar, and keyboard, Kuz mixes rock, pop, r&b, and jazz to create an original sound. He’s launched a solo career but also works as a studio musician and instructor. Kuz and company will also play for the festival’s Jazz Brunch on Sunday, May 1 (see below).


Saturday, April 30th

Workshops at the Arrowhead Center for the Arts fill the daytime hours on Saturday, starting off with an Ensemble Workshop with the Reuben Ristrom Trio (10-11:30 am); Bruce Henry presents a vocal workshop from 11 am to 1 pm; the Dan Kuz band presents instrumental workshops (noon-1:30 pm). Marimbist Kevin Lucas follows with “How to Achieve Maximum Quality Performace” (1:30-2:45 pm). Meanwhile, Keane Sense of Rhythm presents tap workshops for beginners (10-11 am) and advanced (11:15 am-12:15 pm) dancers at the 4-H Log building.

Early evening activities for Saturday include a jazz tap performance by Keane Sense of Rhythm ( 4 pm, Betsy Bowen Studio); "Jazz Appetizer" with Blue Moon at Sivertson Gallery (5-7 pm); and again, a Jazz Buffet at Naviya's Thai Restaurant with music from Kevin Lucas (5-7 pm).

ImageKarrin Allyson Quartet (Arrowhead Center for the Arts, 7:30-10 pm). “One of the most charismatic figures on tour today.” Thus did the New York Times describe hot vocalist and Concord recording artist Karrin Allyson, who will headline this year’s festival. With a sure and smoky alto, a wide-ranging repertoire from ballad to samba to blues, and a presence that nearly pulls you onstage beside her, Allyson is a deservedly popular jazz chanteuse—not to be confused with a “jazzy” pop singer. Of her distinctive voice, jazz historian/critic Gary Giddens notes, “she brings a timbre that is part ice and part grain...incisive, original, and emotionally convincing.” She can swing, she can scat, she can croon the blues—and she plays one mean piano.” Firmly rooted in the Midwest (she was born in Kansas, raised in Omaha, and spent her early career in Kansas City), Allyson draws a crowd whenever she ventures close to home, including at her last two appearances in Minneapolis at the Dakota. On her spring tour, she features her long-time collaborators, including the Twin Cities’ own Laura Caviani on piano and Kansas City based-bassist and drummer, Bob Bowman and Todd Strait. Bowman and Strait have been with Allyson more than ten years, since her first recording, so expect the interplay among these musicians to be highly simpatico. (Allyson next heads south to Minneapolis for a two-night stand, May 1-2, at the Dakota.)

Opening for Allyson will be Minnesota’s best connection to Rio, Ticket to Brazil, bringing the Afro-Brazilian sounds of samba, bossa nova, and jazz to the North Shore. Combining their love for folkloric and sultry popular sounds with sophisticated compositions, TTB has appeared at The Winnipeg Jazz Festival, Ordway World Stage Festival, Minnesota Orchestra MusicFest, and KBEM Winter Jazz Festival, as well as on Twin Cities club stages and on radio and public television.

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Photo by Andrea Canter
Saturday’s post concert gig features the Clearwater Hot Club at the Gunflint Tavern. CHC’s leader, 30-year-old Sam Miltich grew up surrounded by music in northern Minnesota; his grandfather played bass in a big band that traveled on the road in the 40's. At thirteen, Miltich learned guitar, and listened to bluegrass as well as Jerry Garcia and Keb Mo. But the film Sweet and Lowdown opened him to the world of Gypsy Jazz. Eventually he studied with Paul Mehling of the Hot Club of San Francisco. With his father, bassist Matthew Miltich, Sam started playing at a local coffee house, and after a while, The Clearwater Hot Club was born. Along with the music of Django Rheinhart, CHC plays Latin, jazz and swing standards as well as original compositions. In addition to their latest release, May Rain, CHC appears on the most recent recording of Twin Cities chanteuse Connie Evingson (Gypsy in My Soul).

Sunday, May 1

Wrap up a great weekend of music with the Jazz Brunch at Lutsen Lodge, featuring the music of the Dan Kuz Band (see Friday above), 10:30 a.m. - 1:30 p.m.


For a full schedule, ticket information, and directions, visit the festival website at www.gmjazzfestival.com. All events take place in and around the town of Grand Marais, about a 5 hour drive north of the Twin Cities, 2 hours north of Duluth. Venues include: The Arrowhead Center for the Arts (51 W. 5th St, Grand Marais; tickets 218-387-1284 ext.4); Betsy Bowen Studio (301 W. 1st Ave, Grand Marais); Community Center/4H Building--log building (W. 4th Ave. & W. 5th St, Grand Marais); Howl'N Wolf Saloon & Grill (2066 W. Hwy. 61, Grand Marais); Gun Flint Tavern (111 W. Wisconsin St, Grand Marais); Lutsen Resort (5700 W. Hwy. 61, Lutsen); Naviya's Thai Restaurant (Hwy. 61 & Broadway Ave, Grand Marais); Sivertson Gallery (14 W. Wisconsin St, Grand Marais). Workshop information is available from Diane at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

 
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