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Page 1 of 2 Photo by Andrea Canter
Like
the Phoenix rising from the ashes, the Jazz is NOW! Orchestra has
exploded from the energy that created the acclaimed but short-lived
St. Paul jazz club, Brilliant Corners. Jazz is NOW! is a nonprofit
organization founded by Jeremy Walker and Marsha Palmer in 2003.
Opening Brilliant Corners as the Jazz Is Now! program and education
venue, Walker and Palmer were named "Best Local Impresarios" for
2003 by City Pages; the club was included in Down Beat's
"100 Great Jazz Clubs" list for 2004, based on booking "an
adventurous range of talent." Unfortunately, problems with their
landlord forced the club to close in March. Its legacy, however,
lives on through educational affiliation with Jazz at Lincoln Center,
support from JLC Artistic Director Wynton Marsalis, and now the
emergence of a free-wheeling, high-energy 9-piece band. The Jazz Is
Now! Orchestra will hold their first public "preview" performance
under the leadership of internationally renowned bassist
Anthony Cox at the Bryant-Lake Bowl in south Minneapolis, on
Thursday, February 10th. The orchestra will preview
original pieces that will be featured later this spring with
national guest artists from the Lincoln Center Jazz Orchestra,
including the JIN Orchestra's official debut on March 15th,
featuring guest Wessell Anderson.
Jazz
Is Now!
As
an educational affiliate of Jazz at Lincoln Center, Jazz is NOW!
shares similar programming goals with JLC, including Jazz Is for
Everyone! classes and educational workshops, in addition to the
orchestra. In March 2003, Jeremy Walker formed an Artistic Advisory
Board that includes jazz masters Wynton Marsalis of JLC, Victor
Goines from Julliard, and Ted Nash from the Jazz Composers
Collective; Goines and Nash have been members of JLC as well. In
addition to the orchestra, the JIN organization includes the Jazz Is
NOW! Composers' Ensembles, ranging from trio to sextet. Formed to
explore a particular sound or idea as well as bring the JIN music to
smaller venues, these ensembles are specific projects with varying
personnel. Past ensembles have included a piano-less quartet with
alto, tenor, bass and drums, and a traditional quartet with saxophone
and rhythm section.
Jazz
Is NOW! Orchestra
The nine-piece Jazz is
NOW! Orchestra, the brainchild of founder and Artistic Director
Jeremy Walker, swings with the spirit of the historic territory bands
of the 1930s and the creative intensity of the groups of Charles
Mingus. Already recognized for their free and energetic sound, JIN is
winning new fans of big bands. Todd
Reynolds, renowned violinist with Yo-Yo Ma's Silk Road Project and
former concertmaster of Marcus Roberts' Gershwin Orchestra, called
his guest performance this January with Jazz is NOW! as "one of the
best nights of music in [my] life." Recently the band was named
recipient of a 2005 Jerome Foundation Centennial Grant for the
commissioning of new works.
The
JIN personnel include a Who's Who among Twin Cities' jazz
artists, each with a solid reputation in his own right: Anthony Cox
(bass), Peter Schimke (piano), Kevin Washington (drums), Kelly
Rossum (trumpet), Matt Darling (trombone), Scott Fultz (tenor
saxophone), Chris Thomson (tenor and soprano saxophones, Music
Director), and Jeremy Walker (alto saxophone, Artistic Director).
Anthony
Cox has an international reputation as a versatile and
creative bassist, equally at home in straight-ahead acoustic settings
and avant garde electronic experiments. Rooted in the Midwest, Cox
spent professionally formative years in New York and on the
international touring circuit, playing and/or recording with Elvin
Jones, James Newton, David Murray, Henry Threadgill, Arthure Blythe,
Jon Faddis, Sam Rivers, Dewey Redman, Joe Lovano, John Scofield, and
Geri Allan, among many others. In addition to private instruction,
Cox has taught at MusicTech and Anoka-Ramsey Community College as
well as a long list of local, national, and international
residencies, public school projects, and workshops. His skills as a
composer can be heard on his recordings, such as Dark Metals
with Billy Higgins and Dewey Redman. These days, with local and
regional bands, including the Grismore Scea Group, he plays with "a
deep, burnished quality, and...adapts to the varied compositional
demands with suppleness and conviction" (Artists Direct).
Peter Schimke
is one of the busiest keyboard talents in the Twin Cities today,
appearing frequently at the Artists Quarter, Dakota,
and just about anywhere else that requires first class comping and
soloing on piano or Fender Rhodes. Notes Don
Berryman (Jazz
Police), "When he is comping behind a
soloist, he is engaged in a subtle dialogue, listening and responding
with harmonies and rhythms that sometimes represent a suggestion or
even a challenge to the soloist." And when he takes off in a
leading role, Schimke blazes new trails and challenges others to
keep up. In addition to JIN and his own ensembles, Schimke is a
member of the edgy quartet, How Birds Work.
Kevin Washington is
a native of Detroit and son of saxophonist Donald and flautist Faye
Washington. A musical prodigy, he started playing at jazz festivals
at age 5, and moved to the Twin Cities with his family at age 13. As
a jazz student at the New School for Social Research in New York, he
also taught rhythm section fundamentals at the Harlem School of the
Arts. Washington, not yet thirty, has performed with Roscoe Mitchell,
Antonio Hart, Chico Freeman, James Carter, Marcus Belgrave, David
Murray Big Band, Fred Ho, Craig Taborn, and James Newton, among
others. Home in Minneapolis, he mans the trapset with such artists as
Doug Little, Alicia Wiley, Bruce Henry, Anthony Cox, and Moveable Feast,
and has been an instructor with the Twin Cities Jazz Workshop.
Kelly Rossum studied
classical trumpet at the University of North Texas, and now teaches
through the MacPhail Center for Music. Living in
Minneapolis since 1996, Rossum performs both jazz and classical
music, having worked with the Lyra Consort as well as with a wide
range of local jazz artists. His second recording, Renovation,
was nominated for four Minnesota Music Awards;
was included in the top 20 local albums for 2004 by the Minneapolis
Star Tribune; and was one of City Pages' top 10 local
albums of the year.
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