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Woodwind & Brasswind
Full Steam Straight Ahead With Lou Donaldson and Lonnie Smith Print E-mail
Written by Andrea Canter, Contributing Editor   
Wednesday, 18 August 2004
Photos by Don Berryman
Lou Donaldson photo by Don Berryman “This is straight ahead jazz. No fusion, no confusion,” alto sax legend Lou Donaldson explained to the eager audience at the Dakota in Minneapolis last night. At 77, Donaldson has played through more than fifty years of jazz history, from the pure bop of the 50s to R&B and soul/funk in the 60s and 70s, returning more and more to his trademark bop and blues in the last decade. A veteran of the golden age of Blue Note recordings whose early influences included Charlie Parker, Johnny Hodges, and Benny Carter, Donaldson’s current quartet features another legend, Dr. Lonnie Smith, on Hammond B-3. Rounding out the ensemble are eclectic guitarist Randy Johnston and drum master Fukushi Tainaka. Straight ahead never sounded better.

Given the reception of the near sell-out crowd at the Dakota last night, it is hard to understand why nearly 50 years have passed since Donaldson’s last visit to the Twin Cities. From the opening “Blues Walk” (“our theme song”) to the closing “Bye Bye Blackbird” (“music from Miles Davis when he was playing jazz”), Donaldson and the quartet burned brightly, intelligently, and with no apologies for 80+ minutes of bop, blues, and swing. The leader’s tone was sweet and steady throughout, with an occasional sideways quote (such as the lick from “Rhapsody in Blue” tossed into the greased lightning romp through Charlie Parker’s “We”); and his vocals on the bluesy “Just a Dream” were laced with humor and even a not-so-subtle dig at our President’s foreign policy (“and not one weapon of mass destruction can I find”). On what he described as one of the “all-time greatest ballads” (“Over the Rainbow”), he covered the alto’s full range and brought it home with a dazzling cadenza.



 
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