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From Trio to Xtet: Across the Twin Cities With Laura Caviani and Friends Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 29 July 2004
photograph by Howard Gitelson
Laura In a jazz community brimful with virtuoso pianists (think Sanford Moore, Mary Louise Knutson, Peter Schimke, Chris Lomheim, Phil Aaron, Adi Yeshaya, Tanner Taylor….and more), there’s considerable competition for first-call status. Yet each time she takes the bandstand, Laura Caviani confirms her reputation and raises the ante another notch. For those unfamiliar with her talents, and for those who have followed her career for years, late July and August will bring a number of opportunities to hear her in diverse contexts, ranging from trio to small band, from straight-ahead jazz to jazz liturgy to jazz settings for poets as diverse as Edna St. Vincent Millay and Pablo Neruda.

Laura’s roots are solidly in the Midwest and music. She tells about her father’s barbershop quartet gigs as a student at Grinnell College in Iowa, when the young pianist was a fellow named Herbie Hancock. She received a Bachelor’s of Music in Composition from Lawrence University in Appleton, WI, and a Masters of Music in Improvisation from the University of Michigan at Ann Arbor.

Caviani received a grant from the Atlantic Center for the Arts in 1997 to study with piano virtuoso JoAnne Brackeen, and the following year was one of four American musicians selected to study in Japan at the Akiyoshidai International Art Village. Her teaching credits include St. John's University, the University of Wisconsin at Eau Claire, the University of St. Thomas, the University of Minnesota, and many middle schools in Minneapolis through the "Harman How to Listen Program," an outreach project co-founded by Wynton Marsalis. As a professor at the University of Wisconsin - Stevens Point, Laura has taught classes in improvisation, composition/arranging, and jazz keyboard techniques.

Caviani is a veteran of over 15 years of performing, recording and composing, including appearances with Toots Theilemans, Bob Mintzer, and Dave Liebman, and touring and recording with rising star vocalist Karrin Allyson. As a leader she has four acclaimed recordings to her credit and a long list of supporting roles with local musicians. Recent projects include her birthday tributes to Thelonius Monk, the Millay Project with Prudence Johnson, Soul Café with guitarist Steve Blons and saxman Brad Holden, Pete Whitman’s Xtet and Departure Point, the Jazz MN Big Band, and numerous appearances with vocalist Lucia Newell. As a composer, she has created numerous works for jazz ensembles and orchestral works for the Central Wisconsin Symphony Orchestra and the Kansas City Symphony Orchestra.

Whatever the project, Laura Caviani garners high praise; her recordings have been described as “outstanding” (Minneapolis Star Tribune), “stunningly fresh” (Jazz Times), “sparkling and inventive” (Marian McPartland); and “poised right where the salon meets the saloon, with as much spunk as serenity” (Tom Surowicz). Whether comping for big band, trio or vocalist, or leading the way with her improvisations of standards or original works, she displays a wide range of harmony and passion, dazzling energy, and boundless imagination.



 
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