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Whatever instrument you are playing, you should study the history of the instrument from the very beginning. Many drummers think jazz drumming started with Elvin Jones and Jeff Watts. You have to find out where theses people learned from and go upstream from there. You can’t put student before the teacher. You have to start at the origin. Listen to Roy Haynes with Lester Young and Bud Powell. Listen to Art Taylor comp with his left hand like Bud Powell. - Joe Farnsworth
 
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Sonny Brings Good Fortune to LA, Minneapolis, Baltimore and NY Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 15 July 2004
Photograph courtesy of Howard Gitelson
ImageDescribed by Stereophile magazine as "one of the most intriguing alto players in contemporary jazz," Sonny Fortune might also be one of the best low-profile musicians in jazz history. Years in the footsteps of John Coltrane, Charlie Parker, and Cannonball Adderley, Fortune’s career got a boost in the 90s with the release of several recordings on Blue Note and active national and international tours. Still, compared to the hoopla surrounding young sax titans like Redman, Carter, and Osby, Fortune remains in the background, yet burning as brightly as ever.

Born (in 1939) and raised in Philadelphia, Sonny Fortune was singing doo-wop in the 1950s before his interest in jazz was ignited listening to Davis and Coltrane. "I realized (jazz) was incredible. One of the things that excited me about it was, first off, I couldn't figure it out. I didn't like it. But I saw something in it that made me stop in my tracks ... and I started listening to it intensely until I understood it." He moved to New York in 1967, where he was mentored by Elvin Jones. After gigging with Jones, he worked with Mongo Santamaria, McCoy Tyner, Buddy Rich, and Miles Davis, developing his chops on clarinet, flute, tenor, and baritone in addition to alto sax.

In the mid-70s Sonny made two acclaimed recordings for A&M as a leader that marked the beginning of a highly regarded discography. In particular his three Blue Note releases from the 90s—of original and others’ compositions, from duo to septet formats—received critical raves. In addition to his own groups, he has continued as a featured performer with other bands, including the Nat Adderley Quartet, Elvin Jones’ Jazz Machine, and the Coltrane Legacy Band of the late 80s. Over the past decade, Sonny Fortune has headlined national and international jazz festivals, recorded film soundtracks, appeared in tribute concerts for John Coltrane and Elvin Jones, and generally just keeps on burning from one tour to another, and in and out of the recording studio.

Sonny Fortune most recently appeared at the old Dakota location in St. Paul with Frank Morgan in 2003. For this gig he teams up with a stellar rhythm section featuring resident bass extraordinaire Anthony Cox, veteran drummer Steve Johns, and the ultimate of keyboard elegance, John Hicks. Individually, each of these musicians is a headliner; together, it will be a memorable, swinging evening.


Said Howard Mandel, "Of all of Trane's lasting contributions, perhaps the greatest to the future of improvised music was his example of spiritual integrity and physical drive. Sonny blows with both."



Touring schedule: Sonny moving West to East this summer

Los Angeles

Jazz Bakery

July 15-18


Minneapolis

Dakota Jazz Club

July 19-20

Baltimore

Musuem of Art

July 31

www.artbma.org/events/index.html

New York

Sweet Rhythm

Wednesdays in August, September 17-18

www.sweetrhythmny.com

Washington, DC

Twins Jazz

October 1-2

www.dcjazz.com/twins

 
 Monday, 13 October 2008
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