Now in his early 70s, Hampton may be best known as a composer, arranger, band leader, and educator, from his work with Dizzy Gillespie, Maynard Ferguson, Thad Jones, and Mel Lewis, to his master classes, recordings, and recent work with his “World of Trombones.” Throughout two highly enjoyable sets with the All-Stars and full Big Band, Hampton’s warm, mellow bass trombone often suggested a French horn in tone and color, less brassy and more smoky. His generosity on the band stand was striking—sharing solos with his JazzMN bandmates, adjusting the mic to better pick up another horn, frequently giving a thumbs-up to a soloist, and encouraging applause. Not that encouragement was needed!

The joys of this evening were not limited to the opportunity to see the trombone master. Connie Evingson, of Moore By Four fame and most often heard in small club and ensemble settings, proved her voice is well-suited to the heavy brass backing (once the sound system was adjusted!). Familiar tunes from her “Some Cats Know” recording worked well on the bigger stage, including her Cole Porter medley of “I Love Paris/It’s Alright With Me” that featured Mike Nelson’s dynamic blowing and arrangement.