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“I am convinced that all art has the desire to leave the ordinary,and to say it one way, at a spiritual level, a state of the exaltation at existence. All art has this in common. But jazz, the world of improvisation, is perhaps the highest, because we do not have the opportunity to make changes. It’s as if we were painting before the public, and the following morning we cannot go back and correct that blue color or change that red. We have to have the blues and reds very well placed before going out to play. So for me, jazz is probably the most demanding art.” - Sonny Rollins from a recent interview for the Catalan magazine Jaç
 

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Garcia Print E-mail
Written by Andrea Canter, Contributing Editor   
Sunday, 25 April 2004

“Garcia” Takes Off at the Artists’ Quarter 12/28/03

Craig Taborn with Cox/King at AQ I have never heard Dean Granros play guitar, but I am sure he is a fine musician. As part of Siamese Fighting Fish, Granos was scheduled to play at St. Paul’s Artists Quarter this past weekend with local jazz icons Anthony Cox (bass) and Dave King (drums). However, a family emergency left the “Fish” short their guitarist. Fortunately Cox figured his old friend Craig Taborn would be home from New York to spend the holidays with his family—and in a matter of days, spawned one of the hottest trios in local modern jazz, quickly dubbed “Garcia.”

That may sound like a lot of hype and an overdose of local pride. Maybe it is. Maybe you need to hear these guys and decide for yourself. For those attending the sold-out double sets Friday and Saturday at the AQ, there was little doubt that we were treated to music that soared with the very best anywhere, by three of the most creative jazz musicians working today. While Minnesotans have long recognized the talents of all three—Cox having traveled in high class company during his years in New York; King making headlines with Happy Apple and particularly with the internationally acclaimed Bad Plus, we have had far too little opportunity to hear pianist Craig Taborn, who lives in NYC but spends much of his time touring internationally. Let’s hope this holiday’s serendipity marks the beginning of more frequent home gigs!

“Garcia” (it’s a long story, as Cox recounted it, the namesake of a hero of a slave uprising in Florida) capitalizes on the energy and creativity of each musician---Anthony Cox’s basslines that are alternatingly subtle and powerful; King’s playful, often outrageous but never overpowering thumping, crashing and shimmering percussion; and Taborn’s two handed, often two-keyboarded zigs and zags, from avalanche to tinkle. Much of their playlist this weekend was drawn from original works by the threesome, adding here and there a creatively, deliciously twisted cover of the otherwise familiar that would surely bring a smile to the face of Strayhorn or Monk. At times, one had to wonder if this is where Monk would be today if he was still around, undoubtedly proud to share the keyboards with Taborn and keep animated time with Cox and King.



 
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