Jazz Police       Click to save on Hotels Hotels Cars Cars Cruises Cruises flights Flights
JP
“Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra runaround the room while the rhythm section grimaces and dances around their instruments.” - Charles Mingus
 
Support our live jazz coverage. Visit our sponsors. If you plan to shop amazon.com or download iTunes, click through here:
Apple iTunes
Advertisement

Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |

Main Menu
Home
CD Reviews
Interviews
SF Bay Area
Chicago
Los Angeles
New York
Twin Cities, MN
More Cities
Festivals
FAQ
News
Contact
Video of the Week
Youtube tagged JAZZ
Visitors: 14852723
Apple iTunes
Trombonist Slide Hampton Print E-mail
Written by Don Berryman   
Thursday, 08 April 2004

Hampton began his musical career at the age of 12, joining his father's band in 1994 when the band needed a trombone player. "It was probably fate," Hampton once observed, "I probably would have chosen another instrument, but I'm glad I didn't." He immediately relished the challenge of precision required for the physically demanding instrument.

 Touring the with his family, he encountered up close such luminaries as trombonist J.J. Johnson and guitarist Wes Montgomery. 

After performing in Carnegie Hall with the Hampton Band, Hampton branched out to work with bands led by Dizzy Gillespie, Art Blakey, Max Roach, Maynard Ferguson, Thad Jones and Mel Lewis. He also composed and arranged for each of these bands, contributing to their repertoire.

In 1962, he formed the Slide Hampton Octet, which included Booker Little, Freddie Hubbard and George Coleman. The group toured extensively, particularly in Europe, and recorded on several labels including Atlantic and Columbia. From 1964-1967, Hampton served as musical director for various orchestras and artists, at the same time constantly studying to improve his own musicianship.

Following a European tour with Woody Herman, Hampton remained abroad in 1968, deciding that work and growth opportunities for jazz musicians were then greater on the continent. There he performed at major festivals and in clubs, appearing with other American musicians living in Europe -- Kenny Clarke, Dexter Gordon, Art Farmer, Kenny Drew and Benny Bailey, among others -- and worked on a variety of radio and television projects.

Hampton returned to the United States in 1977 where he resumed work writing, arranging, performing and teaching. The explosive "Slide Hampton and His World of Trombones" featuring nine trombones and a rhythm section was regrettably short-lived despite critically acclaimed recordings and performances. He continued to work with quartets, quintets and as a soloist, and began to spend increasing time as a teacher.

In 1988, Hampton became a founding member, feature artist and, in 1989, musical director (with Paquito D'Rivera) of Dizzy Gillespie's Grammy-award winning United Nation Orchestra.

 
 Friday, 21 November 2008
BOOK TRAVEL WITH JAZZ POLICE AND SAVE! Search for deals here.
City Arrival Date Nights Adults Rooms
JP Gear 2
Today's top ten jazz downloads
JP Archive
Add Jazz Police button to your google toolbar
Latest News





Lost Password?
No account yet? Register
jazzImprov2
 
Go to top of page  Home | CD Reviews | Interviews | SF Bay Area | Chicago | Los Angeles | New York | Twin Cities, MN | More Cities | Festivals | FAQ | News | Contact | Video of the Week |
All material protected by copyright. © 2007 Jazz Police and contributing writers & visual artists. All rights reserved. Material may not be reprinted or redistributed without permission of the contributing writers & visual artists.
Jazz Police makes no warranty, expressed or implied as to the accuracy, completeness or utility of information provided. All information is subject to change without notice.