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 Wednesday, 19 June 2013
Fred Hersch Trio at the Jazz Showcase, September 20-23 Print E-mail
Written by Andrea Canter, Contributing Editor   
Wednesday, 19 September 2012

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Fred Hersch Trio©Andrea Canter
 

He’s long been one of the most sublime pianists and composers of modern jazz, and has also proved to be one of the most durable. Over his nearly three decades of performing and composing, pianist Fred Hersch has earned five Grammy nominations as well as critical accolades as: “a master who plays it his way" (Ben Ratliff,  The New York Times); “a pristine pianist with a poet’s soul--a pair of qualities that combine to especially dazzling effect" (Joan Anderman, The Boston Globe); “one of the most sensitive and genuinely lyrical players in jazz” (Bob Blumenthal, The Atlantic Monthly); "...a constantly inventive soloist” (Leonard Feather, The Los Angeles Times); and simply, “...a poet of a pianist.”(Whitney Balliett, The New Yorker). When he spent two months of 2008 in a coma triggered by AIDS-related complications, and much of the year unable to function independently, his career seemed in significant doubt, yet he recovered not only returning to composing and performing (including stints at the Village Vanguard), but has since brought forth one acclaimed recording after another. The most recent, the aptly titled Alive at the Vanguard, features what may be his most sympathetic trio yet (with John Hebert and Eric McPherson), now coming to Chicago’s Jazz Showcase, September 20-23.

 

About Fred

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Fred Hersch©Andrea Canter
Despite his formal training in classical repertoire, Fred Hersch was already experimenting with improvisation as a youngster, and received his first training in jazz on the bandstands of his native Cincinnati.  At the New England Conservatory of Music in Boston, Hersch studied with Jaki Byard among others, then moved to New York where he quickly became a first-call player, appearing with Stan Getz, Joe Henderson, Jane Ira Bloom, Art Farmer, Toots Thielemans, Gary Burton, Sam Jones, and Charlie Haden. Over his career, Hersch’s numerous recordings have included work in solo, duo, trio, and sextet formats; in tributes to Monk, Strayhorn, Evans, Jobim and other muses; and in both small and larger ensembles exploring free improvisation. His classical roots have not been overlooked—he has toured with concert pianist Christopher O'Reilly in a program entitled "Heard Fresh: Music for Two Pianos" and has combined talents with pianist Jeffrey Kahane and violinist Nadja Salerno-Sonnenberg, as well as sopranos Renée Fleming and Dawn Upshaw; he also has appeared as a soloist with orchestras across the U.S. and Europe.

 

Honors have included grants from The National Endowment for the Arts and Meet the Composer, multiple composition residencies at the prestigious MacDowell Colony, a Guggenheim Fellowship and the Gay and Lesbian American Music Award (GLAMA)—four times. Fred was a nominee for the 2011 Jazz Journalists Association’s “Jazz Pianist of the Year.” Teaching has always been a priority for Fred, serving on the faculty at the New England Conservatory for ten years, and teaching at The New School, Manhattan School of Music and Western Michigan University. Among his students are many who have become star performers themselves, including Brad Mehldau and Ethan Iverson.

 

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John Hebert©Andrea Canter
In 2006, Hersch became the first pianist to have a solo week at the Village Vanguard. Although well-known for his trio recordings and tours, he has also worked with a larger improvisational ensemble dubbed The Pocket Orchestra. His solo recording, Fred Hersch Plays Jobim, received wide acclaim in 2009, described by the New York Times as “one of his deepest records,” while Alone at the Vanguard (from 2009 solo sessions) was nominated for two Grammies in 2012. Following his recovery from the health crisis of 2008, he composed an epic, multi-media work based on his recollections of 8 specific dreams during his comatose period, including a musical score with libretto by opera director Herschel Garfein titled My Coma Dreams.

 

The Trio

 

With his working trio of the past few years, featuring bassist John Hébert and drummer Eric McPherson, Hersch returned for a week-long run at the Vanguard last winter, yielding the new two-disc set, Alive at the Vanguard. “This may be my best trio playing on record,” notes Hersch, “in terms of range, sound, being in the moment, and the way we play together…And sonically I think it really captures the Vanguard…you feel like you’re there.”  Across the two discs, Fred presents seven new compositions and covers 11 more (from Coleman, Parker, Rollins, and Monk to Alec Wilder to Cole Porter), including 3 tracks that merge two tunes each. And indeed, you feel like you are right there in the iconic living room of jazz. It’s a perfect balancing of the elegant and the quirky, serious musings and playful energy. 

 

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Eric McPherson©Andrea Canter
Bassist John Hebert grew up in the New Orleans area, attending Loyola University before moving east to complete studies at William Paterson University. His credits include work with the late Andrew Hill as well as with Lee Konitz, Paul Bley, John Abercrombie, Kenny Wheeler, Paul Motian, David Liebman, Uri Caine, Greg Osby, Bill Stewart, Marc Copland, Maria Schneider, and Mary Halvorson as well as Fred Hersch. He also leads his own group, Byzantine Monkey, an ensemble of high flyers featuring Michael Attias, Tony Malaby, Adam Kohlker, Satoshi Takieshi and Nasheet Waits.

 

Named for Eric Dolphy by his godfather, bassist Richard Davis, drummer Eric McPherson grew up surrounded by musicians in New York City. He taught himself to play drums at age 8, studied seven years under Michael Carvin, and attended the LaGuardia High School of the Arts. With a full scholarship, he enrolled in the Jackie McLean Institute at the Hartt School of Music at the University of Hartford. Before long, he began a 15-year stint with McLean’s Quintet. He has also performed with Pharaoh Sanders, Andrew Hill, Richard Davies, Claudia Acuña, Jason Moran, Greg Osby and Avishai Cohen. With John Hebert, he appears on Hill’s acclaimed Timelines.

 

The Jazz Showcase is located at 806 S. Plymouth Court at Dearborn Station, Chicago; www.jazzshowcase.com. Sets at 8 and 10 pm, with an additional 4 pm show on Sundays.



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