 Jim Rotondi @ Andrea Canter
You won't want to miss this gig by one of the finest bands playing jazz today. One For All, inspired by Art Blakey, Miles Davis, and the Jazztet, plays straight ahead jazz with boundless energy and irrepressible passion. This all-star group features some of the top names on their respective instruments including trumpeter Jim Rotondi, tenor saxophonist Eric Alexander, trombonist Steve Davis, pianist David Hazeltine, bassist John Webber, and drummer Joe Farnsworth. The band returns to Smoke on Friday, August 24th and Saturday, August 25th for Jim Rotondi’s fiftieth birthday and surprise guests will undoubtedly want to sit in to help celebrate.
Trumpeter Jim Rodondi is a worthy successor to Freddie Hubbard and Woody Shaw, Rotondi is a stylist who continues to explore rich harmonies with original and soulful eloquence. He often performs with vibraphonists and organists, providing rich overtones and a dense aural carpet with which he weaves intricate and logical patterns of sound. Whether he is blowing with fiery fury or a mournful cry, Rotondi never looses the emotional connection with the audience.
A Montana native raised in a musical family, Jim started with the piano at eight years old and switched to trumpet at age twelve. Two years later Jim heard a recording of Clifford Brown and he was on his way. A product of the prestigious music program at the University of North Texas, Jim won first place in the International Trumpet Guild's Jazz Trumpet Competition in 1984.
Since relocating to New York, Jim has toured and recorded with a host of jazz luminaries, including the big bands of Ray Charles, Lionel Hampton, Grammy-winner Toshiko Akiyoshi, Bob Mintzer, and the small groups of Charles Earland, Lou Donaldson, Curtis Fuller and Joe Chambers. Jim currently leads two of his own groups, a quintet featuring vibraphonist Joe Locke in the front line, as well as an electric group, Full House, which also features pianist David Hazeltine. He is also a founding member of the collective sextet One For All, which features a front line of saxophonist Eric Alexander and trombonist Steve Davis, as well as the aforementioned Hazeltine, drummer Joe Farnsworth and bassist John Webber in the rhythm section.
Jim's extensive recording experience most recently includes the release of his second date as a leader for the Posi-Tone label, titled "Blues For Brother Ray", a tribute to his former boss Ray Charles, following a host of successful releases on various labels. Having appeared on some 70 CD's as a sideman, he can also be heard on several of Charles Earland's Highnote Records releases, alongside saxophonist Eric Alexander, with whom Jim made his recording debut on Eric's Delmark release "Straight Up." Other recordings include saxophonist George Coleman's Octet, featuring Harold Mabern, as well as drummer Ray Appleton's Sextet, which features Slide Hampton, Charles McPherson, and John Hicks. The abovementioned One For All, whose Sharp Nine Records releases "Too Soon To Tell" and "Optimism" received critical acclaim from Cadence and The Detroit Free Press, also has 12 CD's to their credit.  Eric Alecander © Andrea Canter At William Paterson College in New Jersey Eric advanced his studies under the tutelage of Mabern, Joe Lovano, Rufus Reid, and others. "The people I listened to in college are still the cats that are influencing me today," says Alexander. "Monk, Dizzy, Sonny Stitt, Clifford Brown, Sonny Rollins, Jackie McLean, Joe Henderson--the legacy left by Bird and all the bebop pioneers, that language and that feel, that's the bread and butter of everything I do. George Coleman remains a big influence because of his very hip harmonic approach, and I'm still listening all the time to Coltrane because I feel that even in the wildest moments of his mid- to late-Sixties solos I can find these little kernels of melodic information and find ways to employ them in my own playing." During the 1990s, after placing second behind Joshua Redman in the 1991 Thelonious Monk International Saxophone Competition, Alexander threw himself into the whirlwind life of a professional jazz musician. He played with organ trios on the South Side of Chicago, made his recording debut in 1991 with Charles Earland, and cut his first album as leader in 1992. Sixteen great recordings have followed.
Steve Davis is widely regarded as one of today's leading improvisers on the trombone. His lyrical, hard-swinging style first gained him broad recognition during the 1990's while working with the bands of jazz legends Art Blakey, Jackie McLean, Chick Corea's acclaimed sextet Origin Born in Worcester, MA in 1967, Steve Davis was raised in Binghamton, NY and graduated in 1989 from The Hartt School's Jackie McLean Institute of Jazz (University of Hartford). Davis has released eight CDs as a leader and is also featured on over seventy recordings and has worked in recent years with a broad range of jazz icons including Freddie Hubbard (New Jazz Composers Octet), The Horace Silver Octet, The Dizzy Gillespie Alumni All-Star Big Band, Slide Hampton`s World of Trombones, quintets led by Larry Willis, Cecil Payne, Phil Woods, Steve Turre`s One 4-J and sextets led by Geri Allen, Andy Bey and Toshiko Akiyoshi (feat. Lew Tabakin).  David Hazeltine © Andrea Canter
Brilliant pianist David Hazeltine has successfully forged his own distinctive style and musical voice out of the accumulated greatness and weight of a modern piano tradition. David's influences include Art Tatum and Bud Powell and such great living masters as Buddy Montgomery, Barry Harris and Cedar Walton. Since moving to New York City in 1992, David has made a name for himself as a "musician's musician." In addition to his working trio (with drum legend Louis Hayes and bassist Peter Washington), David is in constant demand as a sideman. Recent credits include work with Freddie Hubbard, James Moody, the Faddis-Hampton-Heath Sextet, the Carnegie Hall Jazz Band, the Louis Hayes Quintet, and Marlena Shaw, for whom he serves as pianist, arranger, and musical director. Recently David was spotlighted on Marian McPartland's "Piano Jazz" radio program. In addition to David's fifteen dates as a leader, his recorded work as a featured sideman reflects his status as one of the first call pianists in New York. Recent efforts include sessions with James Moody, Freddy Cole, Marlena Shaw, Jon Faddis, and Louis Hayes.
Joe Farnsworth has been living in the New York area since 1990. He studied with the great drummer Art Taylor while attending William Patterson College. While still living at home in Massachusetts, Joe studied with Alan Dawson who was also Tony Williams' teacher. Joe has been playing with tenor saxophonist Eric Alexander since the two met while they were students at William Patterson. It has been a very fruitful musical association. Farnsworth and Alexander have been together on too many sessions to list, with Eric as leader or a fellow sideman.
Smoke is located at 2751 Broadway, Manhattan, www.smokejazz.com. (212) 864-6662.
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Thursday, 23 May 2013
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