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"What Harrell [does] is spin out improvisational lines filled with instant melodies. Like a lyricist who illuminates phrases with subtle internal rhymes, Harrell's soloing captivates both the hearts and the minds of his listeners." - The Los Angeles Times  Tom Harrell, photo by Salvatore Corso
Hailed by Newsweek for his pure melodic genius, trumpeter Tom Harrell is widely recognized as one of the most creative and uncompromising jazz instrumentalists and composers of our time. He is a frequent winner in Down Beat and Jazz Times magazines' Critics and Readers Polls and a Grammy nominee. A exciting new quartet features tenor saxophonist Wayne Escoffery, drummer Billy Hart, and his bassist of 13 years, Ugonna Okegwo performing at the Village Vanguard on Tuesday, August 14th through Sunday, August 19th.
In contrast to his signature recordings during the RCA/BMG years (1996 - 2003) where much of his focus was on projects involving large ensembles, the latest albums on Highnote demonstrate Harrell's skills as a leader of a tight, smaller unit that calls to mind the bands of Art Blakey and Horace Silver. The sheer joy of playing Harrell's music with one another is evident from each member of the quintet. The writing on these recordings is no less of an achievement than his work for the orchestra or the big band. The trumpeter-composer deftly weaves complex harmonies together with infectious grooves and unforgettable melodies while utilizing the available colors to full effect. Harrell's music is at once intelligent, soulful, fresh and accessible. While he divides his time between writing projects, live performance, and recordings, Harrell actively tours with his quintet around the world. Recent television broadcasts of concerts include: San Javier Jazz Festival in Spain; Viersen Jazz Festival in Germany; Red Sea Jazz Festival in Israel; Jazz a Liege in Belgium; and Chivas Jazz Festival in Brazil. Harrell was featured as the Artist in Residence at the Barga Jazz Festival (August 2009) and Vicenza Jazz Festival (May 2009). At the latter festival he performed duo, quintet and big band concerts over several days. A graduate of Stanford University with a degree in music composition, Harrell is a prolific composer and arranger. Carlos Santana, Cold Blood, Azteca, Vince Guaraldi, Hank Jones, Kenny Barron, the Vanguard Jazz Orchestra, Danish Radio Big Band, WDR Big Band, Brussels Jazz Orchestra, Metropole Orchestra and Arturo O'Farrill & the Afro-Latin Jazz Orchestra are among the many who have recorded or performed his work. Harrell's composition and arrangement, "Humility," was recorded for the latter's 2008 release, which just won a Grammy for the Best Latin Jazz Album. Some of Harrell's notable RCA/BMG recordings include Wise Children, a project in which he combines woodwinds, brass, horns, strings, guitars, percussion and the vocals of Cassandra Wilson, Dianne Reeves, Jane Monheit and Claudia Acuna with his quintet; PARADISE and The Art Of Rhythm, both of which feature chamber groups with strings; and his big band project, Time's Mirror. In addition to the 24 albums and hundreds of concerts worldwide as a leader, Harrell has worked with important figures in jazz history including Stan Kenton, Woody Herman, Dizzie Gillespie, Horace Silver, Bill Evans, Gerry Mulligan, Art Farmer, Phil Woods, Lee Konitz, Sam Jones (with whom he briefly co-led a big band in the 70s), Jim Hall, Charlie Haden and with contemporaries such as Joe Lovano and Charles McPherson. In 2006, Harrell was awarded a Chamber Music America grant with which he composed and performed new pieces for trumpet and piano. He also completed writing symphony orchestra arrangements for the French Orchestre National de Lorraine and the vocalist Elisabeth Kontomanou for a live recording that took place on January 19, 2008. Tim Harrell biographic information was adapted from www.tomharrellmusic.com/  Tom Harrell © Howard A. Gitelson Since moving to New York City in 2000, tenor saxophonist Wayne Escoffery has become one of the Jazz world’s most talented rising stars and in-demand sidemen. At only 32 he has recorded four CDs as a leader and been on numerous recordings as a sideman. Wayne began his professional New York career touring and recording with The Eric Reed Septet. In 2001 he became a steady member of the Mingus Big Band/Orchestra/Dynasty, The Lonnie Plaxico Group, and Abdulah Ibrahim’s Akaya. Then in 2004 Wayne was invited to join Ben Riley’s Monk legacy Septet (an innovative piano-less group dedicated to carrying on the legacy of jazz great Thelonious Monk). At this time Wayne was also touring with Jazz At Lincoln Center’s Music of the Masters consisting of two groups of musicians hand picked by Wynton Marsalis. The Music of Dexter Gordon featured Wayne with Saxophonists Jimmy Greene and Gerry Welden; backed by Dexter Gordon alumni George Cables, Rufus Reid and Leroy Williams. The Music of Miles Davis featured Wayne with trumpet great Eddie Henderson and alto saxophonist Steve Wilson in the front line; backed by David Kikoski, Ed Howard and Miles Davis veteran Jimmy Cobb on drums. In 2006 Wayne secured one of the most coveted gigs in jazz: a frontline position in Tom Harrell’s working quintet. In addition to being a part of some of the last true “apprenticeship” opportunities of our era, he has delivered three studio dates as a leader on the Nagel-Heyer label Times Change in 2001, Intuition in 2004 and the most recent a collaborative project with his wife vocalist Carolyn Leonhart If Dreams Come True released September 18th 2007. In a review of the latter AllAboutJazz.com's Senior Editor John Kelman wrote “Escoffery's command of the instrument is impressive, able to navigate broad intervallic leaps with a sound that is robust in all registers,” Critics have also called him “[A] young, self-assured, hard-swinging tenor saxophonist.” (Ben Ratliff - The New York Times) “a skillful, musical player” (Chris Kelsey, JazzTimes) and “a thoughtful and ambitious composer” (Ronnie D. Lankford, Jr., All Music Guide). Wayne Escoffery biographic information was adapted from www.escofferymusic.com/
 Wayne Escoffery © Lorenzo Dasaro Early on Billy Hart performed in Washington, D.C. with soul artists such as Otis Redding and Sam and Dave, and then later with Buck Hill and Shirley Horn, and was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–1968). Following Montgomery’s death in 1968, Hart moved to New York, where he recorded with McCoy Tyner, Wayne Shorter, and Joe Zawinul, and played with Eddie Harris, Pharoah Sanders, and Marian McPartland. Hart was a member of Herbie Hancock's sextet (1969–1973), and played with McCoy Tyner (1973–1974), Stan Getz (1974–1977), and Quest (1980s), in addition to extensive freelance playing (including recording with Miles Davis on 1972's On the Corner). At age 70, Billy Hart works steadily and teaches widely. Since the early 1990s Hart spends considerable time at the Oberlin Conservatory of Music, and is adjunct faculty at the New England Conservatory of Music and Western Michigan University. He also conducts private lessons through The New School and New York University. Hart often contributes to the Stokes Forest Music Camp and the Dworp Summer Jazz Clinic in Belgium. He leads a group with Mark Turner, Ethan Iverson, and Ben Street. He also is featured in a trio led by pianist Jean-Michel Pilc and one led by guitarist Assaf Kehati. Billy Hart biographic information was adapted from wikipedia.org/wiki/Billy_Hart The Village Vanguard is located at 178 7th Ave S in New York.. Call (212) 255-4037 or visit www.villagevanguard.com for more information. |