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“It’s like a language. You learn the alphabet, which are the scales. You learn sentences, which are the chords. And then you talk extemporaneously with the horn. It’s a wonderful thing to speak extemporaneously, which is something I’ve never gotten the hang of. But musically I love to talk just off the top of my head. And that’s what jazz music is all about.” - Stan Getz
 
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Click for Los Angeles, California Forecast Live Jazz Calendar for the Los Angeles Area

Current concert and complete club listings for Los Angeles and the surrounding area. Calendarinfo provided by lajazz.com

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Clayton-Hamilton Jazz Orchestra Celebrates the Legacy of South Central LA's Jazz Age 11/24 at OCPAC Print E-mail
Written by LA Jazz (lajazz.com)   
Monday, 19 November 2007

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Clayton-Hamilton Orchestra
From the 1930s to 1950s, Central Avenue - known as "The Avenue" - just south of downtown Los Angeles, was an oasis of jazz education, composition, performing and recording. The rich tradition of that golden era will be celebrated in two performances at the Orange County Performing Artscenter on Saturday, November 24 by the Clayton-Hamilton Jazz Orchestra with guest artists Ernie Andrews, Les McCann and Red Holloway. To enhance this unique musical occasion, a second late-night performance has been added. The evening begins with the full Clayton-Hamilton Jazz Orchestra in the Renée and Henry Segerstrom Concert Hall at 8pm followed by members of the orchestra and the guest artists in Samueli Theater at 10:30pm.

The Clayton-Hamilton Jazz Orchestra, led by brothers John Clayton, bass, Jeff Clayton, reeds, and drummer Jeff Hamilton, will perform the familiar and lesser-known songs most associated with the wealth of famous bands, singers and soloists who came from, came to or passed through Central Avenue. Helping the CHJO bring it home will be three special guests with ties to Central Avenue: vocalist Ernie Andrews, saxophonist Red Holloway and pianist-singer Les McCann. John Clayton, the group's six-time Grammy®-nominated arranger, is working on new arrangements of many of the signature tunes from that era to showcase Andrews, Holloway and McCann and the great music associated with them. As Clayton noted, "You had Lionel Hampton and Benny Carter, and in Lionel Hampton's band you had people playing and writing for the band like Quincy Jones, Slide Hampton and so many other greats. So it's mind-boggling how much music we can choose from."

Read complete article at lajazz.com ...  

 
Top Performer, Composer and Educator—Jim Snidero at the Jazz Bakery, November 23-24 Print E-mail
Written by Andrea Canter, Contributing Editor   
Sunday, 18 November 2007

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Jim Snidero

“Master musician...vibrant sound and vigorous harmonic and melodic approach” –DownBeat

A master of alto saxophone as well as an author and educator, New York jazz artist Jim Snidero has been accumulating accolades as a live performer and recording artist. Described by Gary Giddens (Village Voice) as having “a wonderfully aggressive broadsword of a sound, recalling Bird in its sheer jubilance,” Snidero impressed the New York Times with his “dazzling” solos, while the Penguin Guide to Jazz called him “a genuinely significant figure in jazz composition.” On November 23-24. Snidero will display these skills and more at the Jazz Bakery in Los Angeles.

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Benny Golson at the Jazz Bakery November 14-18 Print E-mail
Written by Andrea Canter, Contributing Editor   
Monday, 12 November 2007
“… a composer with an unusually brilliant melodic sense.” –John S. Wilson, New York Times

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Benny Golson © Andrea Canter
Known worldwide, not only as a virtuoso tenor player, Benny Golson has impeccable credentials as a composer, arranger, lyricist, producer, and educator as well. Still growing strong (or stronger?) at 78, Golson performs at the Jazz Bakery, November 14th-18th.

 

A native of Philadelphia, Golson studied piano, organ, clarinet, and tenor sax as a child. In an All About Jazz interview, Golson recalled, “I started out wanting to be a pianist and as I got into it I fancied that I wanted to be a concert pianist. That got a few chuckles in the ghetto, you know. But at 14, I heard the saxophone and my first influence was Arnett Cobb. I went to the theatre one day and I heard him play “Flying Home” and that changed my life. Then after that, of course, it was Coleman Hawkins, Don Byas, Ben Webster, Dexter Gordon, and then John Coltrane and I went through the ranks together.” With fellow Philly native Coltrane, Golson played weekends with a local band (“Jimmy Johnson and His Ambassadors”) while still in high school, earning eight dollars per performance.
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LA Beat: Hart and Soul Ensemble at Orange County Pavilion Print E-mail
Written by Glenn A. Mitchell, LA Jazz Scene   
Friday, 09 November 2007

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Heart and Soul Ensemble©Andre Torng
 

Appearing with a fantastic band of stellar musicians, Hart and Soul’s show Saturday, September 30th garnered a crowd of pleased Orange County’s jazz patrons. 

The Hart and Soul Duo--vocalist/pianist Jennifer Hart and pianist extraordinaire, Llew Matthews--have been together for several years.  This concert at O.C. Pavilion was a celebration of their music, but with an ensemble of the best musicians around.  Matthews wrote specialized arrangements for the group, which included Luther Hughes – bass, Ralph Penland – drums, Jeff Jarvis and John Bradley – trumpets, Dave Woodley – trombone, Gary Gould and Colin Wenhardt – wind instruments, including penny whistle (Gould), and Edmund Velasco – baritone sax.  Hart introduced the musicians throughout the show and talked about their individual musical credits.   

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