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"I found that within my playing that I could play notes, not at first, because at first I couldn't hear these notes, so I wouldn't play them. But as I play more and more I hear more notes to play against the more common chord progressions. And a lot of people say they're wrong. Well, I can't say they're right, and I can't say they're wrong. To my hearing, they're exactly correct". - Eric Dolphy
 
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Current concert and complete club listings for Los Angeles and the surrounding area. Calendarinfo provided by lajazz.com

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Sunday Night Jazz Jam Session event at Money Tree Print E-mail
Written by Ronaldo Oregano   
Tuesday, 22 November 2005
ImageThe world famous Money Tree in Toluca Lake, CA now has "Big Al's Jazz Gig" performing Jazz on Sunday Nights on an ongoing basis starting at 8:30pm until Midnight. Big Al's trio will be the host band for the Sunday Night Jazz Jam Session and extends an invitation to Jazz Players everywhere to come out and play Jazz with the band. Big Al's band features himself on Double Bass, Matt Weisberg on Piano and Brad Elliott on Drums. People wanting to hear some of L.A.'s best Jazz players are encouraged to attend.

A full Bar is available and a Yamaha G3 piano is in house. No Cover. No Minimum. Just Fun.

The Money Tree is at: 10149 Riverside Dr., Toluca Lake CA 91602 (818) 752-8383. Off the 134, exit Cahuenga, go South on Cahuenga, immediate Left on Riverside Drv, go half mile to 10149 on the North (left) side.

For more info, xontact: Big Al (Gruskoff), Pasadena, CA USA  (626) 437-5801 http://bigalsjazzgig.com
 
Regina Carter Quintet at the Jazz Bakery Print E-mail
Written by Andrea Canter, Contributing Editor   
Friday, 11 November 2005
Image
Photo by Howard A. Gitelson

In what was already shaping up to be a stellar career, Regina Carter hit a new high in 2001 when she became the first jazz musician invited to Genoa to play the legendary Paganini violin, known as the Cannon. After this first encounter –in which she was to play only classical repertoire and not (heavens no!) “real” jazz, she returned to Italy in late 2002 with her quintet to record Paganini: After the Dream, a set of classically rooted music with not-so-subtle jazz elements. Once more in November she played the Cannon, this time at Alice Tully Hall in New York. “By the third time it was more comfortable,” she noted, despite the police escort and security that probably rivaled that assigned to Air Force One. For obvious reasons, the Cannon is not part of Regina Carter’s American tours. Yet with her quintet, she will nevertheless bring everything from Debussy to Bossa Nova to Billie Holiday when she takes the stage at the Jazz Bakery in LA, November 22-23/25-27.

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Hear Wallace Roney at the Jazz Bakery Print E-mail
Written by Ronaldo Oregano   
Saturday, 15 October 2005
"Don't be stuck in the past but retain the greatness of it. And live in the moment, live in the future." -- Wallace Roney

Wallace Roney with Antoine Roney, Eric Allen, Ugonna Okegwo, Robert Glasper, and DJ Val will perform on October 18th through the 23rd at th eJazz Bakery in Los Angeles (www.jazzbakery.org/).

Image Wallace Roney's new High Note CD, Mystikal, is due to release in October. With Mystikal, Roney continues to explore the deep, expansive chemistry he established with his crew on Prototype. Val Jeanty on turntables provides spoken word interludes and other little "ear cookies" along the way.

Wallace Roney, while one of the most accomplished and acclaimed trumpeters in jazz today, remains one of the music's most misunderstood masters. Roney rose to national prominence in the 1980's as a member of Art Blakey's Jazz Messengers, earning favorable notice as a young lion with a roaring sound and impressive technique in the Clifford Brown-Lee Morgan-Freddie Hubbard tradition. By the middle of the decade Roney was holding down a difficult dual membership with both the Messengers and Tony Williams' Quintet. Soon he began to display a more thoughtful and spacious approach to sound and improvisation -- one that nodded in the direction of Williams' former leader, Miles Davis, who by that time had befriended the young trumpeter, having given him the blue horn that is his trademark.
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Trumpeter Brian Swartz hosts weekly Jam at Club 1160 Print E-mail
Written by Administrator   
Thursday, 29 September 2005
A weekly Jam Session is hosted by trumpeter Brian Swartz and the New Quintet featuring Matt Otto on Tenor Sax Every Tuesday night from 8:30 PM to 12:30 AM at the Club 1160, at 1160 North Vermont between Sunset and Santa Monica Blvds.
There is a $5 cover charge - no other minimum! Call (323) 315-1845 for more info. All instrumentalists and vocalists welcome. All ages welcome! Club 1160 does have a piano so bring your favorite pianist along!

Image About Brian Swartz
Born December 16, 1967, Brian is a second generation trumpeter. His father, CMSgt Lawrence Swartz (d), was a 30 year trumpeter in the United States Air Force. Brian's early exposure to music made a profound influence on him and he started playing trumpet at the age of ten. As a teenager, his family moved to the San Francisco Bay Area where he attended Armijo High School. He played all through his high school years and won many honors and accolades including Command Performances at the CMEA solo/ensemble festival and the Louis Armstrong and John Phillip Souza Awards. He graduated from Armijo in 1986 and began his music education at Solano Community College. In 1988, he moved to Los Angeles to attend California State University at Northridge where he played in the "A" jazz band, then led by Joel Leach. He also attended the University of Southern California
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