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New York Jazz
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Written by Andrea Canter, Contributing Editor
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Saturday, 04 August 2007 |
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"A triumph of homage and personality--a meeting of minds...” –Gary Giddens, liner notes for A Spirit Free  Kendra Shank © Andrea Canter In 1999, vocalist Kendra Shank was voted Talent Deserving Wider Recognition in the Downbeat International Critics Poll. In 2007, the elastic improviser has accumulated a pile of accolades, with “an ear second to none for little-known and unknown tunes” (Bob Blumenthal, Boston Globe); a “unique and immediately identifiable sound and style” (Don Heckman, LA Times), “a singer with a sound” (Abbey Lincoln) who “phrases inventively, whether crisp and sizzling or sensuously smoky” (Patricia Meyers, Jazz Times). Still a talent deserving—finally receiving-- wider recognition, Kendra’s new release, A Spirit Free: Abbey Lincoln Songbook (Challenge Records), should ensure her appropriate comparisons with the most innovative singers of modern jazz, from Abbey Lincoln herself to Betty Carter, Patricia Barber, and Kurt Elling. With long-term keyboardist Frank Kimbrough and Portland-based guitarist John Stowell, Shank offers an intimate early evening at the 55 Bar in Greenwich Village on Friday, October 26th (6-9 pm). |
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Written by Andrea Canter, Contributing Editor
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Friday, 03 August 2007 |
 Charlie Haden Living Legend of jazz bass Charlie Haden hosts an “Invitational Series” of piano duos over the coming week at the Blue Note in Manhattan (August 7-12). His partners will include a cross-generational mix of outstanding keyboardists, including Kenny Barron (August 7), Ethan Iverson (August 8), Paul Bley (August 9) and Brad Mehldau (August 10-12). Considered one of the greatest-ever jazz bassists, Charlie Haden’s career spans five decades. As a mere toddler in his native Shenondoah, Iowa, Charlie sang on his parents’ country & western radio show, and started playing bass in his early teens. Since arriving in Los Angeles in the late 50s where he first performed with Art Pepper, Hampton Hawes, Dexter Gordon, and Paul Bley, Haden has proven himself to be one of the most creative jazz musicians. His work with Ornette Coleman was visionary, as was his work with Keith Jarrett and Carla Bley, with whom he founded the seminal project, the Liberation Music Orchestra, in the late 60s. He later was a founding member of Old and New Dreams. Haden has since explored world music, film noire, performed in acclaimed duo with Pat Metheny, and has maintained Quartet West over two decades. |
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Written by Administrator
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Wednesday, 01 August 2007 |
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Our main source forNew York live jazz calendar information is
Jazz Improv's New York jazz Guide
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Written by Andrea Canter, Contributing Editor
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Saturday, 28 July 2007 |
 Deanna Witkowski © Elimar Coelho East meets West at the Jazz Gallery in Manhattan when the Deanna Witkowski Quartet (9 pm) and Sarah Manning’s Shatter the Glass ensemble (10:30 pm) share a double bill on August 4th. An accomplished bandleader, composer and liturgist, pianist/vocalist Deanna Witkowski has been described as “consistently thrilling” with a “boundless” imagination (Rick Anderson, All Music Guide) and “a clear musical vision” (JazzTimes). The winner of the 2002 Great American Jazz Piano Competition and a past guest on Marian McPartland's Piano Jazz trained in both classical piano and flute. She first encountered jazz while attending Wheaton (IL) College, and after starting graduate studies at DePaul University, she left to devote full time to music performance. Deanna’s musical palette soon extended beyond classical and jazz, teaching piano in Kenya and studying Cuban music with Chucho Valdes and Hilario Duran. Her first recording, Having to Ask (Jazzline, 2000), was acclaimed as the debut of a “major talent” by Jazz Improv. Still living in the Chicago area, Witkowski moved in yet another direction when she began coordinating an annual jazz service for the LaSalle Street Church, leading to an interest in composing liturgy and a move to New York in 1997. During three years as music director for All Angels Church, she composed a body of new liturgical music and two jazz masses. Her interest in liturgical music continues, with the release of a recording of her sacred works anticipated this year. Her three jazz recordings to date have been greeted with critical acclaim. |
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Sunday, 20 July 2008
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