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New York Jazz
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Written by Ronaldo Oregano
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Sunday, 12 August 2007 |
 Trio Da Paz After sold-out shows last October and overwhelming public demand, Trio Da Paz are back this month for an unprecedented two weeks run at Dizzy's Club Coca-Cola. And once again Romero Lubambo (guitar), Nilson Matta (bass) and Duduka Da Fonseca (drums) have invited Joe Locke to continue their highly successful collaboration for the duration of this engagement. They will also be joined by vocalist Maucha Adnet and tenor sax man Harry Allen. Joe Locke is considered by many to be the most gifted vibraphonist of his generation. Trio da Paz featuresthree of Brazil's most in-demand musicians, and updates the infectious spirit of jazz-oriented Brazilian music. Formed in 1990 by Romero Lubambo, Nilson Matta and Duduka da Fonseca, the Trio redefines Brazilian Jazz with their harmonically adventurous interactions, daring improvisations and dazzling rhythms. All three are seasoned masters of both jazz and Brazilian music with impressive resumes. |
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Written by Andrea Canter, Contributing Editor
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Monday, 06 August 2007 |
“One of the elder statesmen of the hard-bop genre and one of the true living legends of jazz piano.” – Joel Roberts, All About Jazz  Cedar Walton One of the famed alumni of Art Blakey’s Jazz Messengers, Cedar Walton is one of the most acclaimed—and busy—pianists of his generation. This week, Walton takes the stage at Dizzy’s Club Coca-Cola (Jazz at Lincoln Center) with a quintet of sidemen that would make any bandleader drool—Steve Turre, Vincent Herring, David Williams and Lewis Nash. |
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Written by Andrea Canter, Contributing Editor
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Saturday, 04 August 2007 |
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"A triumph of homage and personality--a meeting of minds...” –Gary Giddens, liner notes for A Spirit Free  Kendra Shank © Andrea Canter In 1999, vocalist Kendra Shank was voted Talent Deserving Wider Recognition in the Downbeat International Critics Poll. In 2007, the elastic improviser has accumulated a pile of accolades, with “an ear second to none for little-known and unknown tunes” (Bob Blumenthal, Boston Globe); a “unique and immediately identifiable sound and style” (Don Heckman, LA Times), “a singer with a sound” (Abbey Lincoln) who “phrases inventively, whether crisp and sizzling or sensuously smoky” (Patricia Meyers, Jazz Times). Still a talent deserving—finally receiving-- wider recognition, Kendra’s new release, A Spirit Free: Abbey Lincoln Songbook (Challenge Records), should ensure her appropriate comparisons with the most innovative singers of modern jazz, from Abbey Lincoln herself to Betty Carter, Patricia Barber, and Kurt Elling. With long-term keyboardist Frank Kimbrough and Portland-based guitarist John Stowell, Shank offers an intimate early evening at the 55 Bar in Greenwich Village on Friday, October 26th (6-9 pm). |
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Written by Andrea Canter, Contributing Editor
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Friday, 03 August 2007 |
 Charlie Haden Living Legend of jazz bass Charlie Haden hosts an “Invitational Series” of piano duos over the coming week at the Blue Note in Manhattan (August 7-12). His partners will include a cross-generational mix of outstanding keyboardists, including Kenny Barron (August 7), Ethan Iverson (August 8), Paul Bley (August 9) and Brad Mehldau (August 10-12). Considered one of the greatest-ever jazz bassists, Charlie Haden’s career spans five decades. As a mere toddler in his native Shenondoah, Iowa, Charlie sang on his parents’ country & western radio show, and started playing bass in his early teens. Since arriving in Los Angeles in the late 50s where he first performed with Art Pepper, Hampton Hawes, Dexter Gordon, and Paul Bley, Haden has proven himself to be one of the most creative jazz musicians. His work with Ornette Coleman was visionary, as was his work with Keith Jarrett and Carla Bley, with whom he founded the seminal project, the Liberation Music Orchestra, in the late 60s. He later was a founding member of Old and New Dreams. Haden has since explored world music, film noire, performed in acclaimed duo with Pat Metheny, and has maintained Quartet West over two decades. |
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Saturday, 17 May 2008
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