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"I found that within my playing that I could play notes, not at first, because at first I couldn't hear these notes, so I wouldn't play them. But as I play more and more I hear more notes to play against the more common chord progressions. And a lot of people say they're wrong. Well, I can't say they're right, and I can't say they're wrong. To my hearing, they're exactly correct". - Eric Dolphy
 
 Saturday, 20 March 2010
New York Jazz
Abdullah Ibrahim, Solo and with Ekaya at the Jazz Standard, June 8-14 Print E-mail
Written by Ronaldo Oregano   
Monday, 08 June 2009

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Abdullah Ibrahim
Renowned jazz pianist and composer Abdullah Ibrahim will appear in solo performance at Jazz Standard on Tuesday, June 9th through Thursday, June 11th and  then he will perform with his group Ekaya on Friday, June 12th through Sunday, June 14th.  Abdullah Ibrahim  (formerly known as Dalloar Brand) will celebrate his 75th birthay this October, he was born in Cape Town, South Africa in 1934. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and ragas, to more modern jazz and other Western styles. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. Abdullah Ibrahim has been creating and leading great jazz bands since his early years in his native South Africa. A role call of Ekaya’s past members would include saxophonists Carlos Ward and John Stubblefield, bassists Cecil McBee and Buster Williams, and drummer Ed Blackwell, just to name a few. African Marketplace (Discovery, 1979) and Water From an Ancient Well (Tiptoe, 1985) are among the many fine recordings by this wonderful group, which blends straight-ahead jazz and exploratory improvisation with the classic South African “township” groove. The members of Ekaya are Abdullah Ibrahim on piano, Keith Loftis on tenor saxophone, Cleave Guyton on alto saxophone, Stafford Hunter on trombone, Jason Marshall on baritone saxophone, Belden Bullock on bass, and George Gray on drums.

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Wayne Escoffery & Veneration at Dizzy's Club Coca-Cola with special guest Nicholas Payton, June 2-7 Print E-mail
Written by Ronaldo Oregano   
Saturday, 30 May 2009
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Wayne Escoffery, photo by Lorenzo Dasaro


Wayne Escoffery's group Veneration will perform at Dizzy's Club Coca-Cola with special guest Nicholas Paytonon Tuesday, June 2nd -through Saturday, June 7th. Veneration  is an all-star ensemble featuring Wayne Escoffery on tenor aaxophone, Joe Locke on vibes, Joe Martin on bass, Lewis Nash on drums and special guest Nicholas Payton on trumpet. Since moving to New York City in 2000, tenor saxophonist Wayne Escoffery has become one of the Jazz world’s most talented rising stars and in-demand sidemen. At only 32 he has recorded four CDs as a leader and been on numerous recordings as a sideman. Wayne began his professional New York career touring and recording with The Eric Reed Septet. In 2001 he became a steady member of the Mingus Big Band/Orchestra/Dynasty, The Lonnie Plaxico Group, and Abdulah Ibrahim’s Akaya.
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Stacey Kent at Birdland, June 2-6 Print E-mail
Written by Andrea Canter, Contributing Editor   
Thursday, 28 May 2009

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Stacey Kent © Andrea Canter

“Her singular voice glides along a spectrum that runs from brittle and piercing (think of a jazzy Sandy Duncan) to a delicate whisper that trails into a light, flirtatious vibrato (Blossom Dearie)…Her stripped-down interpretations of standards reveal the lyrics with an unblinking clarity.”—Stephen Holden, New York Times

Now garnering the attention in the U.S. that has followed her career in Europe, Stacy Kent “has a voice that a less musically savvy performer might use as a building block for creating a cute, smiley persona, but…carries it in more sophisticated directions” (Stephen Holden, New York Times). Kent will bring her magical voice (and super band with husband/saxophonist Jim Tomlinson plus Twin Cities' pulsesetters, bassist Gordon Johnson and drummer Phil Hey) to Birdland in Manhattan, June 2-6.

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Rondi Charleston—From “Prime Time Live” to “Live at Dizzy’s” June 1st Print E-mail
Written by Andrea Canter, Contributing Editor   
Wednesday, 27 May 2009

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In My Life
 

“Charleston has the chops that can leave us in awe, but always makes it about the song, which in the end is the greatest compliment that one can pay a singer.” —Bob Blumenthal (liner note, In My Life) 

Few musicians of any genre can count Emmy and Peabody Awards in their resumes, but Rondi Charleston’s path to the stages of top jazz clubs was hardly the norm. The multi-talented Chicago native “heard Miles Davis records in utero, met Duke Ellington when I was six, and would find classic novels next to my cereal bowl," she recalls via Bob Blumenthal’s liner notes for her latest CD/DVD release, In My Life. A preview was released in late 2007, and now the Bennett Studios CD and accompanying DVD, recorded Live at Dizzy’s Club Coca-Cola, is released in full on Rondi’s EmmaMuse label. In celebration of the release, Rondi and her bandreprise the live recording date at Dizzy’s in New York on June 1st. 

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