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“I’m all in favor of getting grants for musicians. Or any other good brand of Scotch.” - Pepper Adams |
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Thursday, 29 July 2010 |
New York Jazz
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Written by Ronaldo Oregano
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Thursday, 05 May 2005 |
Celebrate
four decades of innovative jazz orchestra music with the Vanguard Jazz
Orchestra in a special week-long tribute to Thad Jones and Mel Lewis at
the Village Vanguard, City College of New York
and the La Guardia High School for the Arts. Special guests will
include Slide Hampton, Jon Faddis and Tom Harell. The week will also
include premiers of new music, archival finds and a preview of the new
VJO/Jim McNeely CD.
Friday, May 6 2005 3:00 p.m. -
An afternoon workshop/performance program for high school students
and high school jazz ensemble directors at LaGuardia High School of the
Arts in Manhattan. The workshop will focus on the lost Thad Jones
Music.
Monday May 9, 2005
THE DEFINITIVE THAD JONES
An All Thad Jones night featuring music that defined a new era of big
band jazz composition and redefined the importance of the jazz
orchestra. |
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Written by Ronaldo Oregano
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Friday, 29 April 2005 |
Harlem Speaks Series Swings into Spring
- Fred Staton of the Harlem Blues and Jazz Band (May 5)
- Mercedes Ellington (May 19)
- Dr. Billy Taylor (June 2)
- William C. Rhoden (June 16)
Harlem Speaks, The Jazz Museum in Harlem's continuing series venerating the Harlem jazz continuum, begins a smoking new set with senior member of the Harlem Blues and Jazz Band, tenor saxophonist Fred Staton, followed by choreographer Mercedes Ellington, jazz renaissance man Dr. Billy Taylor, and long-time Harlemite and New York Times sports columnist William Rhoden.
On May 5th, Fred Staton will recount his days and nights with legends Billy Eckstine, Howard McGhee, Art Blakey and Errol Garner plus the living legacy of the Harlem Blues and Jazz Band, formed in 1972. Others stalwart members include recent Harlem Speaks honoree Joey Morant, trumpet and vocals; drummer Johnny Blowers, on record with Louis Armstrong, Sidney Bechet, Billie Holiday, Ella Fitzgerald, and Frank Sinatra; Lloyd Mayers, pianist with Sammy Davis, Jr. for 11 years; bassist Michael Max Fleming, who shared stages with, among others, Mary Lou Williams, Jimmy Witherspoon, and Chet Baker; plus singer and Broadway actress Ruth Brisbane. |
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Written by Andrea Canter, Contributing Editor
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Tuesday, 26 April 2005 |
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"Nash's
fusion works because all the styles he gravitates
toward for his Odeon project share an openhearted romanticism and a
hearty sense of humor -- qualities that transfer undiminished to
Nash's music.” –Aaron Steinberg, Jazz Times
When the
Lincoln Center Jazz Orchestra’s tenor master Ted Nash arrives in
Minneapolis this week, it will mark not only his first appearance
here as a guest artist, but also the world premiere of his first
commissioned work for jazz ensemble and dance company. An
accomplished multi-instrumentalist named “Rising Star” by
Downbeat critics in 2003, Nash was inspired by the great sax
players of the 50s and 60s—Parker, Rollins, Coltrane, Pepper,
Mulligan. His work with the Herbie Nichols Project, Jazz Composers
Collective, and his own bands reflects his passion for innovation and
composition, both of which will be on display in the work to be
unveiled this week when the Jazz Is Now! Ensemble joins forces with
the Zenon Dance Company at the Illusion Theater, April 29-May 8th.
Nash will be on hand for the opening night performance, following a
guest artist appearance with the full Jazz Is Now Orchestra on April
28th at the Dakota. [Click
here to read about the Jazz Is Now and Zenon Dance Company
collaboration.]
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Written by Ronaldo Oregano
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Friday, 22 April 2005 |
"I do think humor is divine. When human beings laugh or smile, they are in a state of grace. I insist on having fun when I play and if the band enjoys itself, the audience does, too. But music contains every feeling and emotion; it's ultimately an expression of love. It's the healing force of the universe, as Albert Ayler said. My music is about inclusion. I always want to bring everyone along on the trip. I want to move people also. I once described the Pocket Brass Band as having one ear cocked to the thump of the second line dancers' feet and the other tuned to the music of the spheres. That describes all my music. I want to have it all." -Ray Anderson
On Friday and Saturday April 29th and 30th
the Ray Anderson Quinteta
featuring
Marty Ehrlich on reeds, James Weidman on piano, Mark Helias on bass, Dion Parson on drums,and Ray Anderson on trombone
will perform at
Sweet Rhythm
in New York.
The mark of a great artist has always been to go beyond technical excellence and impart a personal vision - a sense of style and self-_expression that is indelibly his own. Among modern jazz musicians, no one rises to that standard more than trombonist Ray Anderson, whose sublime mastery of the tricks of his trade is equaled by the bountiful spirit he pours into his one-of-a-kind sound |
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