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"The older you are, you do become a better player. The reason is that, not only on the knowledge side, you get older and your body can control things better. The more time you spend with your instrument, the better control you have over it. The more life you live, the more you can bring to your art." - Wallace Roney |
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Wednesday, 07 January 2009 |
New York Jazz
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Written by Joe Montague
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Friday, 22 September 2006 |
 Ann Hampton Callaway © Bill Westmoreland It
was Cyndi Lauper who rode the pop tune "Girls Just Want To Have
Fun" in the early eighties but Chicago born songstress Ann
Hampton Callaway is one of New York City's bright lights in 2006 and
she is the one having all the fun. The lady with the effervescent
personality and fabulous vocals often refers to herself as a lover.
"I
was just born to be a lover," says Callaway. "I think that
sense of love immediately draws people in. I am so glad that I can
sing because all of that stuff can come out. I think everyone is a
lover. I think music is the most powerful way to refresh that
identity of being a lover and getting in touch with your heart. (You
can) really feel things and feel safe enough to feel things,"
she says.
Draw
you in she does as the sultry voiced Callaway melts even the
staunchest male ego with her rendition of Richard Rogers' and Lorenz
Hart's "Blue Moon". The Diva Jazz Orchestra's horns sizzle
and blow some torrid notes as they perform on the torch tune.
Callaway and Andy Farber added their own arrangements to "Blue
Moon" and the result is an outstanding performance.
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Written by Ronaldo Oregano
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Tuesday, 19 September 2006 |
 Mike Stern © Clay Patrick McBride Jazz-fusion pioneer guitarist Mike Stern, veteran of the Miles Davis band, Jaco Pastorius' Word of Mouth, and Blood Seat & Tears, is on tour promoting his latest
release Who let the Cats Out on Heads-Up records. He will be at the Iridium jazz club September 28th - October 1st
performing with Bob Franceschini on sax, Richard Bona on bass, Terri Lyne Carrington on drums. The Iridium is located at
1650 Broadway in
New York.
Stern joined the Heads Up label with the release of Who Let the Cats Out? Included on
the guest roster are bassists Richard Bona (who handles vocals on two
tracks), Anthony Jackson, Meshell Ndegeocello, Chris Minh Doky and
Victor Wooten, trumpeter Roy Hargrove, saxophonists Bob Franceschini
and Bob Malach, drummers Dave Weckl and Kim Thompson, harmonica player
Gregoire Maret, and keyboardist/producer Jim Beard.
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Written by Ronaldo Oregano
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Monday, 11 September 2006 |
Big Apple Jazz / EZ's Woodshed
2236 Adam Clayton Powell Jr. Blvd.
Harlem, NY 10027
212 283-JAZZ
www.bigapplejazz.com
Big Apple Jazz & EZ's Woodshed
is a daytime destination for those interested in jazz history. This is a first stop venue for all jazz fans looking for the real deal daily in Harlem. It's a jazz day club open to all in a ridiculously welcoming atmosphere. The love of New York's jazz history and current scene pours out of every corner of the place. Open from 10:30AM - 8:30PM with free live jazz daily: 2 bands a day starting at 2 and 5:30. Jam session on Sunday at 2PM. Gift shop and art gallery and jazz tours of NYC round out the experience.
Big Apple Jazz & EZ's Woodshed
is located on a historic strip of Harlem's Jazz District. This street, once known throughout the jazz world as "The Corner," hosts the ghosts of Louie Armstrong, Fats Waller, Eubie Blake, Duke Ellington, Bird, Diz, and Miles, as well as Count Basie's Club, Well's Chicken and Waffles, Connie's Inn, Clark Monroe's Uptown House, Small's Paradise, the Lafayette Theater and legendary Tree of Hope.
They can show you where Billie Holiday was discovered and where Bird used to jam in the 40's.
They celebrate New York City Jazz both past and present with cd's recorded live in all the historic and current night spots; and they sell the city's only collection of indie cd's by our outstanding pool of local talent seen on the scene nightly in hidden jazz haunts along the Big Apple Jazz tour route.
Call for info. 212 283-JAZZ.
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Written by Andrea Canter, Contributing Editor
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Sunday, 10 September 2006 |
 Fred Hersch © Peter Carni Since his first appearances as leader
and soloist twenty years ago, jazz piano master Fred Hersch has
earned critical accolades as: “a master who plays it his way"
(Ben Ratliff, The
New York Times); “a pristine pianist with a
poet’s soul--a pair of qualities that combine to especially
dazzling effect" (Joan
Anderman, The Boston Globe); "a brilliant
technician, a thoughtful, elegant improviser and an artist with a
curious ear” (Fernando
Gonzalez, The Miami Herald); “...one of the
leading lights of this generation's pianists” (Fred
Bouchard, Jazz Times); “one of the most
sensitive and genuinely lyrical players in jazz” (Bob
Blumenthal, The Atlantic Monthly); "...a
constantly inventive soloist” (Leonard
Feather, The Los Angeles Times); and simply, “...a
poet of a pianist.” (Whitney
Balliett, The New Yorker). With recent recordings highlighting
his wide range as leader of quartets and sextets as well as solo
artist, Hersch takes a break from his solo touring to bring his
latest trio to the Village Vanguard, September 19-24. He’ll be
joined by virtuoso artists Drew Gress (bass) and Eric McPherson
(drums).
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