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"The older you are, you do become a better player. The reason is that, not only on the knowledge side, you get older and your body can control things better. The more time you spend with your instrument, the better control you have over it. The more life you live, the more you can bring to your art." - Wallace Roney
 
 Wednesday, 07 January 2009
New York Jazz
Ann Hampton Callaway Interview Print E-mail
Written by Joe Montague   
Friday, 22 September 2006
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Ann Hampton Callaway © Bill Westmoreland

It was Cyndi Lauper who rode the pop tune "Girls Just Want To Have Fun" in the early eighties but Chicago born songstress Ann Hampton Callaway is one of New York City's bright lights in 2006 and she is the one having all the fun. The lady with the effervescent personality and fabulous vocals often refers to herself as a lover.

"I was just born to be a lover," says Callaway. "I think that sense of love immediately draws people in. I am so glad that I can sing because all of that stuff can come out. I think everyone is a lover. I think music is the most powerful way to refresh that identity of being a lover and getting in touch with your heart. (You can) really feel things and feel safe enough to feel things," she says.

Draw you in she does as the sultry voiced Callaway melts even the staunchest male ego with her rendition of Richard Rogers' and Lorenz Hart's "Blue Moon". The Diva Jazz Orchestra's horns sizzle and blow some torrid notes as they perform on the torch tune. Callaway and Andy Farber added their own arrangements to "Blue Moon" and the result is an outstanding performance.

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Cattin' in Manhattan: Mike Stern Print E-mail
Written by Ronaldo Oregano   
Tuesday, 19 September 2006
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Mike Stern © Clay Patrick McBride
Jazz-fusion pioneer guitarist Mike Stern, veteran of the Miles Davis band, Jaco Pastorius' Word of Mouth, and Blood Seat & Tears, is on tour promoting his latest release Who let the Cats Out on Heads-Up records. He will be at the Iridium jazz club September 28th - October 1st performing with Bob Franceschini on sax, Richard Bona on bass, Terri Lyne Carrington on drums. The Iridium is located at 1650 Broadway in New York.

Stern joined the Heads Up label with the release of Who Let the Cats Out? Included on the guest roster are bassists Richard Bona (who handles vocals on two tracks), Anthony Jackson, Meshell Ndegeocello, Chris Minh Doky and Victor Wooten, trumpeter Roy Hargrove, saxophonists Bob Franceschini and Bob Malach, drummers Dave Weckl and Kim Thompson, harmonica player Gregoire Maret, and keyboardist/producer Jim Beard.
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Big Apple Jazz / EZ's Woodshed Print E-mail
Written by Ronaldo Oregano   
Monday, 11 September 2006
ImageBig Apple Jazz / EZ's Woodshed
2236 Adam Clayton Powell Jr. Blvd.
Harlem, NY 10027
212 283-JAZZ
www.bigapplejazz.com

Big Apple Jazz & EZ's Woodshed is a daytime destination for those interested in jazz history. This is a first stop venue for all jazz fans looking for the real deal daily in Harlem. It's a jazz day club open to all in a ridiculously welcoming atmosphere. The love of New York's jazz history and current scene pours out of every corner of the place. Open from 10:30AM - 8:30PM with free live jazz daily: 2 bands a day starting at 2 and 5:30. Jam session on Sunday at 2PM. Gift shop and art gallery and jazz tours of NYC round out the experience.

Big Apple Jazz & EZ's Woodshed is located on a historic strip of Harlem's Jazz District. This street, once known throughout the jazz world as "The Corner," hosts the ghosts of Louie Armstrong, Fats Waller, Eubie Blake, Duke Ellington, Bird, Diz, and Miles, as well as Count Basie's Club, Well's Chicken and Waffles, Connie's Inn, Clark Monroe's Uptown House, Small's Paradise, the Lafayette Theater and legendary Tree of Hope. They can show you where Billie Holiday was discovered and where Bird used to jam in the 40's.

They celebrate New York City Jazz both past and present with cd's recorded live in all the historic and current night spots; and they sell the city's only collection of indie cd's by our outstanding pool of local talent seen on the scene nightly in hidden jazz haunts along the Big Apple Jazz tour route. Call for info. 212 283-JAZZ.

 
Fred Hersch Trio at the Village Vanguard, September 19-24 Print E-mail
Written by Andrea Canter, Contributing Editor   
Sunday, 10 September 2006
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Fred Hersch © Peter Carni
Since his first appearances as leader and soloist twenty years ago, jazz piano master Fred Hersch has earned critical accolades as: “a master who plays it his way" (Ben Ratliff, The New York Times); “a pristine pianist with a poet’s soul--a pair of qualities that combine to especially dazzling effect" (Joan Anderman, The Boston Globe); "a brilliant technician, a thoughtful, elegant improviser and an artist with a curious ear” (Fernando Gonzalez, The Miami Herald); “...one of the leading lights of this generation's pianists” (Fred Bouchard, Jazz Times); “one of the most sensitive and genuinely lyrical players in jazz” (Bob Blumenthal, The Atlantic Monthly); "...a constantly inventive soloist” (Leonard Feather, The Los Angeles Times); and simply, “...a poet of a pianist.” (Whitney Balliett, The New Yorker). With recent recordings highlighting his wide range as leader of quartets and sextets as well as solo artist, Hersch takes a break from his solo touring to bring his latest trio to the Village Vanguard, September 19-24. He’ll be joined by virtuoso artists Drew Gress (bass) and Eric McPherson (drums).


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