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“So until we see you again, bright moments and keep searchin’ for your mystery note on the universal piano of life.” - Roland Kirk |
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Friday, 19 March 2010 |
Twin Cities
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Written by Andrea Canter, Contributing Editor
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Sunday, 05 June 2005 |
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Note: This is the third installment
of Festival Profiles for the 2005 Twin Cities Hot Summer Jazz
Festival, June 12-26.
 Photo by Don Berryman
At the 2005 Hot Summer Jazz Festival,
there will be no shortage of vocalists. From Mears Park to Peavy
Plaza, from the Dakota stage to the Millennium lounge, from national
headliner Roseanna Vitro to local legends Lucia Newell, Connie
Evingson, and Bruce Henry, you will have your pick of the finest
interpreters of the Great American Song Book and more.
Mears Park, St. Paul Lowertown, June
18
Lucia
Newll with Departure Point (1:30-2:30 pm). With her tribute
to Billy Strayhorn, local diva Lucia Newell joins forces with Pete
Whitman’s long-standing sextet, Departure Point. From Los Angeles
to Mexico City to Rio de Janeiro, as well as locally at Orchestra
Hall, the Artist's Quarter, and the Dakota, Lucia Newell has
performed Brazilian samba, French ballads, and bop melodies; she has
sung with the great Billy Eckstein, the Rio Jazz Orchestra, and Oscar
Castro Neves. On her latest recording, Steeped in Strayhorn,
she was accompanied by Departure Point, and this afternoon gig in the
Park promises to feature many selections from this acclaimed release.
These musicians know each other well, and their simpatico
collaboration will make this a must-see set. |
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Written by Andrea Canter, Contributing Editor
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Saturday, 04 June 2005 |
“She gently seduces the listener time after time, whether the
fare is ageless blues, warm bossa, intimate love song, or upbeat
novelty. She's a flower, a lovesome thing.” –Tom Surowicz (Star
Tribune)
This week marks the release of the
long-awaited debut recording from the Twin Cities’ popular duo,
“Charmin & Shapira.” With Pure Imagination, vocalist
Charmin Michelle and guitarist Joel Shapira have finally documented
one of the most sublime collaborations in local jazz. On June 8th,
Charmin & Shapira and Friends (Paul Harper on sax and flute, Tom
Lewis on bass, and Nathan Norman on drums) will celebrate with a CD
Release Party at the Dakota in downtown Minneapolis.
Charmin Michelle sings
with “taste and understatement, swing and savoir faire, grace and
grooves, intimacy and panache” (TC Music Net). Born in
Birmingham, Michelle moved to Minnesota as a young child. Although
the Land of 10,000 Lakes has been home ever since, her experiences
have taken her around the world. With the promotion of organ legend
“Captain” Jack McDuff, Michelle toured Europe with
internationally known pianists Mulgrew Miller and Kirk Lightsey in
1997. Since 1998, Michelle has performed in jazz festivals throughout
Spain, Portugal and France, and “moonlights” by fronting the jump
band, the Senders. Locally, on any given night she can be found on
stage at the Dakota, Artists Quarter, Café Luxx, Rossi’s
Blue Star, French Press Jazz Café —anywhere that promotes
top-flight jazz. In addition to her duo gigs with Joel Shapira, she
also performs frequently with Doug Haining and the Twin Cities Seven.
On her three earlier recordings—Your Eyes (Zimboy, 1994),
Destination Moon (CM, 1998), and Hot (CM, 2001), she
covered tunes of Billie Holiday, the Great American Songbook, blues
and bossa. Tom Surowicz described Destination Moon as an “an
aural charm bracelet filled with swell songs that you haven't heard
too often.” |
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Written by Andrea Canter, Contributing Editor
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Saturday, 04 June 2005 |
 Cafe Accordian Photo by Andrea Canrer After its first few months of
operation, the French Press Jazz Café in St. Paul’s
Lowertown has become a leading contender for the Twin Cities
“alternative jazz club” crown. It’s small, intimate,
smoke-free, and the acoustics are surprisingly mellow. And you can
get a great cappuccino (regular or decaf!), glass of wine, pizza,
bruchetta, or slice of Muddy Paws Cheesecake to accompany an
increasingly fine line-up of area jazz artists. Stop in for live
music Monday-Saturday, often no cover and at the most, $5. Highlights
for June:
Jazz Studio, Wednesday nights, 8
pm. A weekly jam featuring new talent hosted by guitar wizard
Clay Moore For more information, please contact Kevin at
This e-mail address is being protected from spam bots, you need JavaScript enabled to view it
or call 651-224-2732. |
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Written by Andrea Canter, Contributing Editor
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Friday, 03 June 2005 |
“Zenón is one of the many shining lights in jazz music
today, with fresh concepts and fluid angularity from his slightly
acidic-toned alto.” (Mark F. Turner, All About Jazz)
Dubbed “one of the strongest
saxophonists in New York” by the New York Times, Puerto Rico
native Miguel Zenón has visited Minneapolis before, with
David Sanchez and most recently with the SF Jazz Collective at the
Dakota. This will be his first appearance as leader of his own
quartet which features Luis Perdomo on piano, Hans Glawischnig on
bass, and Henry Cole on drums. Following the Dakota gig, altoist
Zenón and his quartet will be in Boston at Sculler’s (June
8th), at the Triple Door in Seattle (June 13th),
and at Yoshi’s in Oakland (June 14-15).
In his native San Juan, Zenón
studied saxophone at the famed Escuela Libre de Musica. Exposed to
Charlie Parker and other jazz legends while in high school, he didn’t
begin formal jazz studies until he received a scholarship from the
Puerto Rico Heineken Jazz Festival to study at the Berklee School of
Music in Boston. At Berklee he received the Berklee Best Scholarship
Award, the Frederic Cameron Weber Award, and a grant from the
Corporation of Musical Arts. Meanwhile, he gained professional
experience with drummer Bob Moses' Mozamba and the Either/Orchestra.
After graduating from Berklee in 1998, Zenón received a
scholarship to the Manhattan School of Music, where he studied with
Danilo Perez, Dick Oatts, Dave Liebman, George Garzone, and Bill
Pierce; he earned his Masters in Saxophone Performance in 2001. |
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Written by Andrea Canter, Contributing Editor
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Wednesday, 01 June 2005 |
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June offers many bargains for Twin
Cities jazzhounds, including the granddaddy of all jazz bargains, the
Hot Summer Jazz Festival.
Festival Venues
Nearly every act is free, and often
there are two, three or more venues in action at any point in time.
The full schedule is available on the festival website at
www.hotsummerjazz.com;
you will find articles on the Jazz Police website regarding the many
exciting musicians who will participate in this annual event. Some
highlights, all free:
Sunday, June 12, Staring Lake
Park in Eden Prairie: Start off the festival with a day of 6
big bands, including Stan Bann, River City Jazz Orchestra, and Jazz
on the Prairie Big Band. (3-6 pm. at the Amphitheater, 14800 Pioneer
Trail in Eden Prairie.)
Wednesday, June 15, Wayzata
Depot: Enjoy Dave Karr’s tribute band, Mulligan Stew. Last
year, Mulligan Stew recorded live during the festival and recently
released its first recording! (7-8:30 pm, Wayzata Depot, 402 E. Lake
Street, Wayzata)
Saturday, June 18, Mears Park in
St. Paul’s Lowertown: From noon until 9 pm, see an
incredible line-up, featuring Lucia Newell and Departure Point, Kelly
Rossum’s Quartet, Connie Evingson and the Parisota Hot Club, Chill
7, and festival headliner Charles McPherson. (Mears Park, 6th
and Sibley, downtown St. Paul) |
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Written by Andrea Canter, Contributing Editor
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Tuesday, 31 May 2005 |
AC.jpg) Derrick Hodge, Photo by Andea Canter The Twin Cities is one of the hottest
locales for jazz in the nation, and the most combustible event is the
annual Hot Summer Jazz Festival, held this year June 12-26, covering
both sides of the Mississippi as well as a few suburban venues. In
addition to providing a stage for festival artists, the Dakota in
downtown Minneapolis will host enough other talent for its own
month-long festival, from the blazing saxophone of Miguel Zenon to
the live recording of the Terrell Stafford Quintet and the sublime
interplay of Adam Rogers and John Patitucci. Throw in some great
vocalists, visiting and local sax monsters, “tickets” to Brasil,
and some incendiary ensembles—this club will be reverberating well
into July!
National Acts
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