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SF Bay Area
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Written by Administrator
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 Christian McBride The Monterey Jazz Festival, a leader in jazz education since its inception in 1958 and JazzTimes Readers’ Poll winner for Best Festival for the last three years, has announced the 4th Annual Next Generation Festival, April 3 - 6, 2008 in downtown Monterey. The weekend event, devoted to the future of jazz, includes the Festival's 38th Annual National High School Jazz Competition, with Big Bands, Combos, Vocal Ensembles, and Individual Musicians vying for a spot on the stages of the 51st Annual Monterey Jazz Festival presented by Verizon. All Next Generation Festival competition events - from the Kick-Off Concert on Friday, April 4 to the exuberant and electric Big Band Finals on Saturday, April 5 and the College Big Band finals on Sunday, April 6 - will be open to the public, free of charge. The Festival will also conduct clinics, workshops, jam sessions, and auditions in the heart of the historic Monterey, with music to be performed at the Monterey Conference Center, the host Portola Plaza Hotel, in the recently renovated historic Golden State Theatre, at Fisherman’s Wharf, and at Monterey Live. For a complete schedule of activities and competition times, visit www.montereyjazzfestival.org. A list of the participating schools can be found at the end of this article. |
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Written by Ronaldo Oregano
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 Charls Lloyd Quartet SF Jazz will present Charles Lloyd's 70th Birthday Celebration on Friday, March 28, 8PM at the Herbst Theatre 401 Van Ness Avenue (at McAllister), in San Francisco. This latest incarnation of the Charles Lloyd Quartet includes the brilliant Jason Moran on piano and Reuben Rogers on bass joining Charles and drummer Eric Harland. Their new live album “Rabo de Nube”, recorded in 2007, was just released - in time for Charles’s 70th birthday on March 15, 2008.
During the early 1960's Charles Lloyd recorded two albums as a leader with other young musicians including Herbie Hancock, Ron Carter and Tony Williams. Following that Lloyd led a quartet with pianist Keith Jarrett, bassist Cecil McBee (afterwards, Ron McClure), and drummer Jack DeJohnette whose music was an groundbreaking fusion of straight-ahead post-bop, free jazz, and soul jazz. They also achieved a significant amount of crossover success with rock fans and became the first jazz group to play in the Fillmore. SInce 1989, Lloyd has toured actively and recorded for the ECM label. These recordings reveal Lloyd's depth and sensitivity as a ballad player - particularly on Voice in the Night, The Water Is Wide (featuring Brad Mehldau, John Abercrombie and Billy Higgins) and Lift Every Voice (featuring Geri Allen). |
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Written by Ronaldo Oregano
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 Regina Carter © Howard A. Gitelson SF Jazz will present the Regina Carter Quintet on Friday, March 21, 8PM at the Herbst Theatre, 401 Van Ness Avenue (at McAllister) in San Francisco.The quintet will include Regina Carter on violin, Xavier Davis on piano, Matthew Parrish on bass, Darryl Harper on clarinet, and Alvester Garnett on drums. Regina Carter’s immersion in music began at the age of two when she took up piano, followed by violin at the age of four. Forever indebted to the Suzuki method of music teaching, the approach freed her from the rigid restraints of solely reading music and opened her to the wonders of improvisation. Though her original focus was classical music, with the hope of being a soloist with a major symphony, the pull of Detroit’s rich soul music legacy and the discovery of jazz broadened her horizons. Regina attended Detroit's prestigious Cass Technical High School. Upon graduating, she departed for the New England Conservatory of Music, only to return to Michigan’s Oakland University, seasoning her chops by gigging with several local musicians. She later joined the attention-grabbing all-female quartet Straight Ahead which recorded two albums for Atlantic Records. Carter departed the band in 1994, recording two solo albums for Atlantic while also making the most of her newfound New York connections by working with the likes of the String Trio of New York, Muhal Richard Abrams, and Greg Tate and the Black Rock Coalition. |
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Written by Ronaldo Oregano
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 Wayne Wallace The Doctor will be making a house call at Jazz at Pearl's in San Francisco for two evenings of sizzling Latin jazz with his Latin Jazz Ensemble on Friday, March 14th and Saturday, March 15th. Trombonist Wayne Wallace's skills as a musician, bandleader, composer and arranger are so revered by his Bay Area musical brethren that he's known, simply, as "the Doctor." As a young player, Wallace got his first taste for Latin jazz performing with Pete Escovedo--a pretty good start--and for many years Wallace honed his skills, and developed his passion, with the Afro-Cuban jazz cauldron that was John Santos' famed Machete Ensemble. His knowledge of, and ardor for, this fiery music has been enhanced further by several trips to Cuba. This year, Wallace burst forth with not one, but two highly acclaimed CDs, Dedication and The Reckless Search for Beauty. The first is a high-energy large ensemble jazz recording, and the second is a Latin jazz celebration. |
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Written by Andrea Canter, Contributing Editor
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 Gonzalo Rubalcaba
“…An exciting new quintet with a striking potential for challenging even his outsize talent…” – Marcus Crowder, San Francisco Bay Guardian
Blending the traditions and innovations of American and Cuban jazz, 44-year-old pianist/composer Gonzalo Rubalcaba has consistently validated the promise of his prodigious youth, from his “discovery” by Dizzy Gillespie to his collaborations with Charlie Haden to his highly acclaimed recordings and performances with his own bands. Supporting the release of a new recording (Avatar), Rubalcaba and his exciting quintet performs at Yoshi’s on both sides of the Bay, in San Francisco March 10-12 and in Oakland March 13-16. In Havana, Rubalcaba was literally born into the traditions of Afro-Cuban music. His father Guilhermos helped introduce the cha-cha-cha and still leads Charanga Rubalcaba; his grandfather composed "El Cadete," the well-known processional that the grandson included on his Grammy-winning Blue Note recording, Supernova. Young Gonzalo Rubalcaba studied piano from age eight, and for the next twelve years he continued his studies of the American, European, Russian, and Hispanic classical traditions at Havana’s famed Amadeo Roldan Conservatory, while also playing and absorbing the indigenous themes and rhythms of Havana. In 1983, he toured France and Africa with Orquesta Aragon, and two years later formed his own band, Grupo Proyecto and came to the attention of Dizzy Gillespie. In 1986, Rubalcaba played with Charlie Haden and Paul Motian at the Havana Jazz Festival, beginning a long relationship with Haden that led to appearances at international festivals, including Montreal and Montreux, and several recorded collaborations, including the highly acclaimed, Grammy-winning Nocturne (2001,Verve) and the acclaimed Land of the Sun (2004, Verve), a tribute to Mexican composer, Jose Sabre Marroquin. |
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Saturday, 17 May 2008
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