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Monday, 15 March 2010 |
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Written by Andrea Canter, Contributing Editor
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Saturday, 13 March 2010 |
 Craig Taborn©Andrea Canter The Dave King for Two Days weekend at the Walker Art Center (March 12-13) presents the percussion titan with seven projects, ranging from his decade-long associations with the Bad Plus and Happy Apple (which will combine briefly as The Bad Apple) to free improv ensemble Buffalo Collision, rock-ish band Gang Font, and two new bands, Golden Valley is Now and Dave King Trucking Company. It’s a reunion for Dave and cohorts, particularly an opportunity to play again with his Golden Valley childhood pals, Reid Anderson and Craig Taborn. Of course every time the Bad Plus comes to town, Dave and Reid are together on the band stand. More rare is the reunion with Taborn, whose infrequently active Junk Magic ensemble includes King. A veteran of tours with James Carter, Roscoe Mitchell and Tim Berne early in his career, now engaged in projects with Chris Potter’s Underground, William Parker and Gerald Cleaver, and an upcoming piano duo with Vijay Iyer, Craig returns “home” hot off a solo piano tour in Europe. It’s a welcome opportunity to catch up with one of the world’s leading voices in keyboard wizardry, and Downbeat Magazine’s 2009 Critics’ Poll top “Rising Star” on electric keyboards. |
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Written by Pamela Espeland
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Monday, 08 March 2010 |
 Stefan Kac leads the Symphonic Transients Orchestra. Photo © John Whiting I’ve heard Stefan Kac (say “katz”) called a “mad genius” and that shoe seems to fit. I first became aware of him during a jam session at the Artists’ Quarter, maybe in 2005, when he walked onstage with his tuba and started to play. In February 2006, he performed with his group Pan-Metropolitan Trio at a Dakota late-night show. Then came the group Ingo Bethke in 2008, Kac’s trio with Adam Linz and Pete Hennig in 2008, his quartet with Sean Roderick, Josh Granowski, and Nick Zielinski, the group Bronco Vision with Brandon Wozniak, Anthony Cox, and Jay Epstein, and journeys into free jazz/improvised music with Milo Fine at Homewood Studios. And there are the projects I haven’t yet heard, like the Copper Street Brass Quintet. Earlier this week I was talking with Dick Parker, a member of the Mouldy Figs, and he asked, “Do you know Stefan Kac”? Apparently Kac also plays with this trad jazz band and others. |
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Written by Andrea Canter, Contributing Editor
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Sunday, 28 February 2010 |
 Zacc Harris©Andrea Canter There can never be enough modern music in the Twin Cities, reason enough for the new Tuesday night series of jazz and improvised music at the Clown Lounge, the little music bar below the Turf Club in St. Paul's Midway neighborhood. For a long time, Monday nights at the Clown has served as an outlet for Fat Kid Wednesdays (Mike Lewis, Adam Linz, JT Bates) and other musicians focused on original and experimental music. The past December, the Clown expanded such gigs to Tuesdays. Notes curator/guitarist Zacc Harris, the series "continues to grow, providing another much needed venue for modern instrumental music in the Twin Cities." Sets typically begin around 10 pm, with two ensembles playing each night. |
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Written by Andrea Canter, Contributing Editor
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Monday, 14 December 2009 |
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“Not only do they emulate their teachers with exacting precision, they also leave their own distinctive imprint on a musical style that is now theirs.” –Ben Jaffe, Director, Preservation Hall  The Jack Brass Band The only New Orleans style brass band based in Minneapolis, Jack Brass has been enthralling audiences since 1999. Mixing the Big Easy’s traditions with old-time blues, rock, hip-hop, pop, funk and reggae, they’ve impressed no less than Wynton Marsalis, who noted, "If you like your gumbo spicy and your music hot, check out the Jack Brass Band." On December 18th at the Cabooze (917 Cedar S. in Minneapolis), JBB celebrates its 10th anniversary and release of a new recording, Fourth Movement. |
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Written by Andrea Canter, Contributing Editor
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Monday, 10 August 2009 |
 Irv WIlliams©Andrea Canter A few years ago, tenor saxophone legend Irv Williams hinted at retirement in his liner notes for That’s All, but clearly that was premature. Three CDs later, the then 88-year-old known fondly as “Mr. Smooth” issued a more dramatic hint with the release of Finality (Ding Dong Music). But apparently the title only referred to Irv’s feelings about recording sessions, not performing opportunities. Still a weekly Happy Hour staple at the Dakota in Minneapolis and Il Vesco Vino in St. Paul, Irv and his quartet were on the main stage of the Twin Cities Jazz Festival in June. This weekend (Friday at the Artists Quarter, Monday at the Dakota), Irv celebrates 90. We have no doubt he has the capacity to blow out every candle. |
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