|
 |
 |
 |
 |
CD Reviews
|
Written by Don Berryman
|
|
Thursday, 13 October 2005 |
"Subduction leads to orogeny" - old geophysics adage.
Subduction, the first CD from
the Phil Hey Quartet, was recorded live at the Artists' Quarter on May
13-15, 2005. The word 'subduction' deals with the movement of tectonic plates
that is a slow process that can result in earthquakes and volcanic
activity. Likewise, music on this CD builds tension subtly and releases
that tension in great rhythmic eruptions. The first sounds you hear on
this CD is Dave Hagedorn's haunting vibraphone solo that introduces
Bobby Hutcherson's Highway One,
the last is Phil Hey's turbulent and triumphant drum solo for the final
chorus of John Coltrane's Fifth House
and the cheers of the crowd. What lies between is a demonstration of
musical mastery that each musician has honed and the collaborative
chemistry that has kept this band vital over the past 5 years.
Starting at the turn of the millennium, the Phil Hey Quartet has had a
regular gig at the Artists' Quarter in Saint Paul for one Thursday a
month
(and the occasional week-end). I have had the pleasure of
attending many, if not most, of those gigs along with a steadily
growing
cadre of oldsters and youngsters who all feel very hip indeed to have
discovered a subterranean hideout where you can hear world-class hard
bop for a $3 cover. A feature of these gigs is that they would always
play one tune that the group had never played together before, one
member
would bring in a new tune or arrangement and they'd all dig-in. This
process helps them develop a book that is full of great and seldom
heard
tunes from both obscure and well known writers. One night Tom Lewis
brought in a beautiful tune called
Floresta written by Brazilian composer Hermento Pascoal which
appears on this CD. In addition to Pascoal, Hutcherson, and Coltrane
mentioned earlier, there are tunes on this CD written by Charles
Mingus, Irving Berlin, Don Cherry, Ornette Coleman, and Phil Hey's
original, Subduction. |
|
Read more...
|
|
|
Written by Andrea Canter, Contributing Editor
|
|
Wednesday, 05 October 2005 |
 Photo by Andrea Canter “Vicky
Mountain doesn't just sing songs, she applies the appropriate vocal
style for each one and has the ability to invoke a unique atmosphere
for every composition she graces with her voice.” - Criterion
Jazz Review
Last winter, area vocalist Carole
Martin released her first recording in 30 years. Thankfully, Vicky
Mountain only waited a decade. Don’t Go to Strangers,
released in early 2005, came eleven years after Birds of a
Feather. Noted Vicky, “I wanted this CD to be as eclectic as my
performing career; the happy swing and scat, the beautiful ballads,
the avant-garde, and a taste of the soulful R&B.” This diverse
description aptly reflects the content of Don’t Go to Strangers,
and the wide ranging talent of Vicky Mountain. |
|
Read more...
|
|
|
Written by Andrea Canter, Contributing Editor
|
|
Wednesday, 31 August 2005 |
 Photo by Andrea Canter Chill 7 has been turning heads lately,
from the Dakota where the quartet made a limited release live
recording last year to the 2005 Hot Summer Jazz Festival bandstand in
Mears Park, to their “home” stages at The Wine Bar in Mankato and
Lowertown St. Paul’s new French Press Café. Proclaimed by
the Dakota as “the future of Twin Cities jazz,” Chill 7 melds
modern jazz with funk and jam band music, blending “the
improvisation of Coltrane and Miles with the pulse of P-Funk and
Soulive” (French Press Jazz Café). I was impressed when I
first heard Chill 7 this past spring, enjoying their fresh
interpretations of jazz standards and high energy original
compositions. With a repertoire of funky renditions of Herbie
Hancock’s “Canteloupe Island,” electrified (yet sanctified)
ballads such as “My One and Only Love,” swinging standards such
as “All of Me,” and their own humor-infused creations, they were
indeed “fresh, hip, and on the move” (The Dakota). Reaching for a
new level of artistry that will appeal to a wide audience, this
weekend Chill 7 will celebrate the release of a new, self-produced
recording dubbed Probable Cause. The fun starts Friday at the
French Press Jazz Café, 8:30 pm-midnight.
Who is Chill 7, and why is it “7”
when there are only four musicians? Bandleader/tenor saxman Josh
Brinkman’s only explanation is that at one time or another, the
group has gone through 7 drummers. While he and guitarist Michael
Burand formed Chill 7 in 2001 and appeared together on the group’s
first recording, Big Fish Eat Little Fish (Aquarium Records,
2002), there has been turnover in the bass and drum chairs and the
group has appeared with (and recorded with) keyboards as well. Today
the quartet includes bassist Jason Swanson and drummer Andy Artz
along with Brinkman and Burand. Artz also served as designer,
mixmaster, and recording engineer for Probable Cause. |
|
Read more...
|
|
|
Written by Don Berryman
|
|
Monday, 29 August 2005 |
Shanghai is the debut from the young London-born bebop-influenced jazz pianist, Richard Luck.
This album features Luck on piano with Kevin Jones on Bass and Matt McDonough on drums performing standards, three Richard Luck originals and a hymn.
Richard Luck performs the songs on this recording with flair and a style that echoes New York of the 50's.
Luck's original songs are inventive and even on familiar tunes there are twists and turns to keep listeners interested.
This debut CD offering provides a glimpse into what should be a promising future contributing to the world of jazz.
Richard studied at Goldsmiths' College, University of London
studying piano
and performing with the University Big Band.
He began Post Graduate work in Jazz Performance at Trinity College of Music,
where he began performing with many ensembles including Trinity College Big Band and the
National Youth Jazz Orchestra (NYJO). It was at Trinity College he formed what is now his working trio.
Richard spent the best part of a year touring the world on the QE2 and backing up many world-class acts.
Listen to samples from the CD at |
|
Read more...
|
|
|
Written by Andrea Canter, Contributing Editor
|
|
Tuesday, 23 August 2005 |
Minneapolis-based saxophonist Doug
Little already had his name on three recordings with the Motion Poets
when he released his own quartet CD in 2000, Subtle Differences
(Touché Jazz). It’s been a favorite of mine ever since, and
garnered plenty of good press. Noted Tom Surowicz in the Star
Tribune, "Smart post-bop writing, impeccable bandleading and
taut, tasty soloing. Whether blue-grooving over a supple fleet beat
or whipping out his bass clarinet for a romantic reverie, Little is
in complete command and in great company."
It’s taken Little five years to find
his way back to the studio—he’s been too busy with projects that
have taken the San Francisco native in diverse directions. As a
committed jazz educator, Little directs the Twin Cities Jazz
Workshop, which provides learning and performance opportunities for
young area musicians; he has also been selected to participate in the
St. Paul Chamber Orchestra’s “Artist in the Schools” program.
For the past four years, Little has collaborated and toured with
Italian pianist Giacomo Aula, including appearances at the 2004 Twin
Cities Hot Jazz Festival and tours and master classes in the US and
Italy. And last fall, Little initiated a new ensemble, Seven Steps to
Havana, dedicated to integrating Cuban rhythms with post bop
harmonies. |
|
Read more...
|
|
|
Written by Carmel DeSoto
|
|
Monday, 27 June 2005 |
As
a jazz listener, exposing our children to music that enhances their
listening palette and enriches their musical experiences, one can
easily find a suited selections within the plethora of wonderful jazz
recordings we are blessed with in the digital age. The question
is, what about bedtime? Some
good choices may be Stanley Turrentine’s Ballads or Karrin Allyson’s
John Coltrane’s Ballads, but what if we wanted some good old fashioned
lullabies that are not sung by children and break the mold of
traditional lullaby selections. The choices are slim to none.
This obviously was the plight of Minnesota based Jazz pianist Sean
Turner.
|
|
Read more...
|
|
| << Start < Prev 41 42 43 44 45 Next > End >>
| | Results 247 - 252 of 266 |
|
Friday, 29 August 2008
|
|
|
|
 |
 |
 |
 |
|
|
|