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NY Times Art |
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NYT > Arts
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?The Demons?: 12-Hour Play, and Endless Bragging Rights
?The Demons,? a 12-hour production of a grim Dostoyevsky novel that will be performed only twice, may be the must-see show of the New York theater season.
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Television Review | 'The Pacific': First Marine Division in Gruesome World War II Battles
?The Pacific,? a 10-part World War II mini-series that begins on Sunday on HBO, follows a Marine division through tropical battlegrounds that have since faded from the collective memory.
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Theater Review | 'Next Fall': At Helen Hayes, Taking on Religion From a Hospital Bed
?Next Fall? is that genuine rara avis, a smart, sensitive and utterly contemporary New York comedy.
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Movie Review | 'Green Zone': Matt Damon Searches for That Casualty of War, Truth
In ?Green Zone,? action under pressure is a test and a revelation of character.
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Art Review | Otto Dix: At Neue Galerie, a Retrospective of a Deeply German Artist
This retrospective of Otto Dix?s unforgiving art, the first show of its kind ever held in North America, is engrossing yet sadly flawed.
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Music Review | New York Philharmonic: Beethoven and Franck Sparkle With Muti, a Avery Fisher Hall
For the final week of his visit with the New York Philharmonic at Avery Fisher Hall, Riccardo Muti is conducting a peculiarly balanced program.
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Dance: How Shall We Know the Choreographer? By His Dances and More
Perhaps the two books on Paul Taylor currently in preparation will finally reveal something about a choreographer who has worked hard to be inexplicable.
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Music Review | Alice in Chains: Dancing Around Death, With Elephant in Room at Terminal 5
Layne Staley, the late front man for Alice in Chains, was not mentioned onstage during the band?s performance at Terminal 5 on Tuesday, but his absence was central.
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Friday, 12 March 2010
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